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FRIDA KAHLO - The Wounded Deer. Skate Deck Modern Design Pop2025
2025
$411.08
£303.04
€345
CA$562.81
A$624.19
CHF 327.80
MX$7,665.55
NOK 4,149.59
SEK 3,913.12
DKK 2,625.56
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About the Item
Frida Kahlo - The Wounded Deer
Date of creation: 2025
Medium: Digital print on Canadian maple wood
Edition: Open
Size: 80 x 20 cm
Condition: In mint conditions and never displayed
Skate deck made of 7 ply grade A Canadian maple wood.
©2025 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York
The Wounded Deer (1946) is like a visual poem that Frida Kahlo wrote with arrows and melancholy, but never losing her sharp sense of humor. In this work, Frida transforms into a wounded deer—literally—with nine arrows piercing her body, an image that blends physical and emotional pain with an almost theatrical elegance.
The deer, half human and half animal, moves through a mysterious and silent forest, as if trapped in a dream where suffering becomes metaphor. Her large dark eyes look at us with a mix of vulnerability and defiance, reminding us that pain is not only endured but carried with dignity and a touch of rebellion.
Here, Frida not only exposes her wounds—often the result of her accident and turbulent life—but also plays with the idea of fragmented identity and resilience. In that body pierced by arrows, seemingly on the verge of giving way, beats an indomitable and bold spirit.
The Wounded Deer is a modern fable where suffering takes center stage but also becomes an act of aesthetic courage. It reminds us that fragility can be powerful, and that sometimes art becomes the best refuge to heal what cannot be cured.
ABOUT THE ARTIST
Frida Kahlo was born in the Blue House of Coyoacán, Mexico, in 1907—although she later claimed to have been born in 1910, aligning her birth with the start of the Mexican Revolution. It wasn’t vanity; it was a statement. Frida didn’t just live through time—she reimagined it with every brushstroke.
As a child, she contracted polio, leaving one of her legs thinner than the other. To compensate, she developed an even larger personality. But it was in 1925, when a streetcar accident shattered her spine, pelvis, and much of her body, that her life split in two—literally and symbolically. Most would have been defeated. Frida turned pain into language.
During her recovery, she began to paint. A mirror placed above her bed allowed her to transform her face into fertile ground for symbolism, memory, and resistance. She didn’t paint what she saw—she painted what she felt, remembered, endured. Her self-portraits were not simply likenesses but visual manifestos: her face framed by monkeys, thorns, flowers, roots, corsets, and, always, that singular unibrow—one bold line of unbroken thought.
In 1929, she married the muralist Diego Rivera, launching one of the most tempestuous love stories in art history. Their relationship was marked by infidelities, separations, and reconciliations—fuel for both drama and creativity. “I had two accidents in my life,” she once quipped, “one was the streetcar, the other was Diego. Diego was the worst.” And still, she loved him. In her own way.
Frida was political, communist, a voracious reader, a collector of traditional dress, a lover of men and women, a bold hostess, and a tireless provocateur. Her unique style—embroidered huipils, long skirts, floral crowns, and Indigenous jewelry—was not just fashion, but a cultural and personal declaration. Aesthetic and ideology intertwined.
Though she exhibited in Paris and New York and earned the admiration of figures like Picasso and Breton, during her lifetime she was often seen as “Diego Rivera’s eccentric wife” more than as an artist in her own right. It wasn’t until decades after her death in 1954 that her legacy truly exploded: feminist, queer, Latin American, unrepentantly original.
Today, Frida Kahlo is far more than an artist—she is a symbol of resistance, radical authenticity, and fierce beauty. Her legacy transcends museums and textbooks to live on in popular culture, street art, tattoos, fashion, and, above all, in the hearts of those who see in her the proof that art doesn’t need permission to be truth.
Frida never sought immortality. And yet, she found it.
- Creation Year:2025
- Dimensions:Height: 31.5 in (80 cm)Width: 7.88 in (20 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- After:Frida Kahlo (1907 - 1954)
- Period:
- Condition:
- Gallery Location:Madrid, ES
- Reference Number:1stDibs: LU1033116619632
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