VIOLIN - Mixed Technique and Collage, Giuseppe Chiari, Italy 1970s

Abstract Mixed media on canvas Title "Kinetic Explosion," unsigned

Mixed media on cardboard signed upper right and framed, outside measurement cm.47x32

Natura morta ovale con verde orientale - Bruno Donzelli Italia - Mixed media on canvas cm. 40 x 50- Wooden frame cm. 58 x 70 Signed in the lower center Bruno Donzelli was born in Nap...

Soldiers - Achille Beltrame italia - Mixed technique on cardboard cm. 45 x 22 . Mesaure with wooden frame are cm. 54 x 32 Achille Beltrame (Arzignano, 19 March 1871 - Milan, 19 Febru...

Manu Parekh - Untitled - 36 x 48 inches ( unframed size) Mixed Media on Canvas , 2009 Inclusive of shipment in roll form. A lovely Mixed Media work in black, white and red color by Modern Indian Artist Manu Parekh who was very strongly influenced by old masters of Indian art, Ram Kinkar Baij and Rabindranath Tagore. He was the recipient of honors and awards like The Padma Shree from the Government of India. Style : Parekh’s early work explored the relationships between man and nature, as according to him, this was an energetic link that had to be celebrated. The artist also points out that, since then, contradictions have formed the basis of his artistic practice, no matter the subject or genre of his works. Polemics have always intrigued Manu Parekh – the energy of the organic form and the inherent sexuality within these forms are intangible elements in his works. His paintings provoke viewers to take notice of the world around them through the emotion, pain and anguish expressed in the subjects of his paintings. His colors and forms exude a volatile energy that can barely be contained within the confines of his canvas, and become an extension of the artist's personality. Vivid colours and prominent lines are an integral part of Parekh’s work and each exudes the energy that he attempts to capture. Parekh admits to being very strongly influenced by his surroundings. His stay in the city of Calcutta, for instance, drew him towards Santiniketan and the old masters of Indian art, Ram Kinkar Baij and Rabindranath Tagore. His appreciation of their work, more at a perceptual level than stylistic one, urged him to delve deeper into the thoughts that inform his own oeuvre. Banaras as a city came to play an integral role in Parekh’s work after his first visit there following his father’s death. This holy city of hope, of faith, of tourists offered him a vast number of contradictions in one location. Parekh also highlights his relationship with his wife Madhvi, who is a self taught artist, and his admiration for Picasso as key influences on his works. About the Artist and his work : Born : 1939 in Gujarat. Education : 1962 - Diploma in Drawing and Painting from the Sir J.J. School of Art, Mumbai. Solo Shows and Exhibitions : 2007 - ‘Banaras – Eternity Watches...

Manu Parekh - Untitled - 36 x 48 inches ( unframed size) Mixed Media on Canvas , 2009 Inclusive of shipment in roll form. A lovely Mixed Media work in black, white and red color by Modern Indian Artist Manu Parekh who was very strongly influenced by old masters of Indian art, Ram Kinkar Baij and Rabindranath Tagore. He was the recipient of honors and awards like The Padma Shree from the Government of India. Style : Parekh’s early work explored the relationships between man and nature, as according to him, this was an energetic link that had to be celebrated. The artist also points out that, since then, contradictions have formed the basis of his artistic practice, no matter the subject or genre of his works. Polemics have always intrigued Manu Parekh – the energy of the organic form and the inherent sexuality within these forms are intangible elements in his works. His paintings provoke viewers to take notice of the world around them through the emotion, pain and anguish expressed in the subjects of his paintings. His colors and forms exude a volatile energy that can barely be contained within the confines of his canvas, and become an extension of the artist's personality. Vivid colours and prominent lines are an integral part of Parekh’s work and each exudes the energy that he attempts to capture. Parekh admits to being very strongly influenced by his surroundings. His stay in the city of Calcutta, for instance, drew him towards Santiniketan and the old masters of Indian art, Ram Kinkar Baij and Rabindranath Tagore. His appreciation of their work, more at a perceptual level than stylistic one, urged him to delve deeper into the thoughts that inform his own oeuvre. Banaras as a city came to play an integral role in Parekh’s work after his first visit there following his father’s death. This holy city of hope, of faith, of tourists offered him a vast number of contradictions in one location. Parekh also highlights his relationship with his wife Madhvi, who is a self taught artist, and his admiration for Picasso as key influences on his works. About the Artist and his work : Born : 1939 in Gujarat. Education : 1962 - Diploma in Drawing and Painting from the Sir J.J. School of Art, Mumbai. Solo Shows and Exhibitions : 2007 - ‘Banaras – Eternity Watches...

Dominique Mulhem was born in Neuilly-sur-Seine June 13, 1952. 1975: Training at the Ecole Nationale Superieure des Beaux-Arts in Paris. His painting refers to pop culture and art Ownership (art) by his inspiration. His technique was initially very pop art with the use of the bomb and stencils and more hyperrealistic with airbrushing to become a modern pointillism. It was the first multimedia artist inventing in 1979 the holopeinture where he mixed paint holography. He had to work in the early 70s on the different 3D rendering techniques. Beyond its highly representative form, his painting is primarily conceptual. The themes are the lives of people and things, without limit in treated subjects. All the work of Dominique Mulhem has the same theme : the concept of simultaneous vision. “The look from inside” as Pierre Restany said. INTERNATINALES EXHIBITIONS: GERMANY, CHINA, COLOMBIA, KOREA, DENMARK, EGYPT, SPAIN, UNITED STATES, GREECE, FRANCE, HUNGARY, ITALY, LUXEMBOURG, MONACO, RUSSIA, SWITZERLAND. Dominique retrospective MULHEM 1972-2009, City of Asnieres-sur-Seine, France. PRESENCE IN MUSEUMS : Museum of Holography, Paris, France. Hungarian National Museum, Budapest, Hungary. Museum of Holography, Washington, USA. Zamalek Museum and Arts Centre, Cairo, Egypt. PRESENCE IN INTERNATIONAL EXHIBITIONS Scarification : Dominique Mulhem develops a suite of amazing concepts, suite, analysis, updating, revisiting any of these terms is false but none are true, the most appropriate choice would be thinking. Thinking back on as thought to further examine refraction and reflection as to take another propagation velocity of the history of art. It shall submit the artwork to a movement infinite in space and time. In the 80’s Portraits of Artists planned painters and sculptors between past and future by offering a three-dimensional holograms vision. In the 90s his imaginary museum, Pierre Restany wrote: “Dream Creatures to a dream before painting it’s more!” In “I should say, because my eye has been unable to separate things, to erase this simultaneous vision, to separate the two elements “.In the 2000s Zones, timeless journeys in the words and sentences of Guillaume Apollinaire’s poem. Every decade Mulhem shares his world view. Today his scars challenge us on different characteristics of our society to the standardized culture object...

The works that I exhibit at Contemporaneo Asheville arise from the autobiographical that answers vital questions, recurrent thoughts, obsessions, the history of art and literature. M...