Gülsüm Üzel

BADE

2020

Small stoneware vase with three adjoining amphorae. Very good condition. Height: 15.5 cm.

Five-sided Vessel, Stoneware with Dry Glazes by Paul Philp Additional information: Medium: Stoneware with Dry Glazes Height 52 cm (20 1/2 in) Width 29 cm (11 4/1in) Signed by impres...

Churn with Lugs, Stoneware with Dry Glazes by Paul Philp Additional information: Medium: Stoneware with Dry Glazes Diameter 22 cm (8 5/8 in) Height 15 cm (5 8/9 in ) Signed by impre...

Footed Bowl with Rushes, Stoneware with Glazes by Jim Malone Additional information: Medium: Stoneware with Glaze Diameter 14 cm (5 1/2 in) Signed with mak...

Thrown Open Bowl (Four Circles), Stoneware by William Plumptre, 2019 Additional information: Medium: Stoneware with blue, white and brown slip under a wood-ash glaze Diameter 38 cm ...

Large Tile with Two Circles, Stoneware by William Plumptre, 2019 Additional information: Medium: Stoneware with blue, white and brown slip under a wood-ash glaze width 30.5 cm (12 i...

Amphora with Lugs, Stoneware with Dry Glazes by Paul Philp Additional information: Medium: Stoneware with Dry Glazes Height 27 cm (10 5/8 in) Diameter 19 cm (7 4/8) Signed by impres...

Open Bowl with Speckle, Stoneware with Dry Glazes by Paul Philp Additional information: Medium: Stoneware with Dry Glazes Diameter 23 cm (9 in) Height 13.6 (5 3/8 in) Signed by impr...

Not Available

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...