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Ieva LiepinaMorning 2008, painted porcelain bowl, 30х27.5х12 cm2008
2008
$639.06
$798.8320% Off
£473.45
£591.8120% Off
€536
€67020% Off
CA$875.49
CA$1,094.3620% Off
A$971.43
A$1,214.2820% Off
CHF 508.85
CHF 636.0720% Off
MX$11,912.30
MX$14,890.3720% Off
NOK 6,472.45
NOK 8,090.5620% Off
SEK 6,109.72
SEK 7,637.1420% Off
DKK 4,077.23
DKK 5,096.5420% Off
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About the Item
Morning 2008, painted porcelain bowl, 30х27.5х12 cm
''Morning'' is a visually striking piece of art, combining intricate hand-painted details, a nude female figure, and the blooming background with gold accents. It serves as both a functional bowl and a captivating artistic statement, showcasing the skill and creativity of the artist who created it. The combination of the nude female figure and the flowy flower design signifies a harmonious blend of natural beauty and artistic expression. It is a representation of femininity, grace, and the delicate balance between strength and fragility.
Ieva Liepiņa
(b. 1967.7.IX) Painter.
Ieva Liepiņa graduated J. Rozentals School of art in Riga (1985), and Monumental painting Studio (under the guidance of I. Zariņš) of Latvia Art academy (1991, diploma work – “Jazz”).
She is a member of Young Artists association (since 1991) and International artists association “B13” (since 1995).
She took part in exhibitions since 1991. Her works was exhibited in approximately 46 shows in Riga, Ventspils, Jekabpils (Latvia), Vilnius (Lithuania), Moscow (Russia), Bremen (Germany), Frankfurt (Germany), Dusseldorf (Germany), Ghent (Belgium), Jerusalem (Israel), Minsk (Byelorussia), Copenhagen (Denmark) and Holland.
I. Liepiņa’s self-exhibitions were organized in:
Gallery “Bastejs”, Riga (“Side-car”, together with R. Liepiņ, 1995);
Gallery “Bastejs”, Riga (“All in threes”, together with R. Liepiņ and K. Ruben, 1997);
Gallery “Centrs”, Riga (“With star (in horns)”, together with K. Ruben, 1998);
Gallery “Centrs”, Riga (“Breakfast for gentlemen”, together with K. Ruben, 1999);
Gallery “Māksla XO”, Riga (“Birthday”, together with P. Tinkuss, 2000).
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