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Joan Miró Vinyl Record Art1979
1979
$225
£170.61
€197.05
CA$315.69
A$351.67
CHF 185.50
MX$4,264.11
NOK 2,359.83
SEK 2,198.33
DKK 1,471.44
About the Item
Joan Miró vinyl album art, 1979:
Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró designed a cover for the album Quan la aigua queixa, including the name of Raimon in large handwritten letters. As a result of this relationship, Raimon composed the song A Joan Miró, which creatively certified his admiration towards the painter.
Off-set lithograph on record album cover.
12 x 12 inches.
Very good overall vintage condition.
Miro credit appears on backside of album (last image in listing).
Original record included in very good condition.
Looks fantastic framed.
Literature & References:
Art & Vinyl Hardcover by Fraenkel & De Beaupré (2018)
One of the most well-known veteran artists in the Catalan language, Raimon is one of the most important exponents of the musical style of Nova Cançó.
Joan Miró was a seminal figure in 20th-century avant-garde painting. The Spanish artist’s innovative use of line, organic shapes, and color represented a major contribution to Surrealism. Representative of his ability to conjure evocative space, Miró’s famed triptych Blue I,II,II (1961) portrays a floating world using only blue, orange, and black. “Little by little, I've reached the stage of using only a small number of forms and colors,” the artist reflected. “It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this.” Born on April 20, 1893 in Barcelona, Spain, the artist first studied commerce before defying his parents and enrolling in the art academy in his hometown. In 1919, Miró moved to Paris where he fell into the Surrealist milieu, befriending André Breton, Max Ernst, Jean Arp, and André Masson. Miró’s work profoundly influenced several American painters, including Arshile Gorky and Mark Rothko. The artist died at age 90 on December 25, 1983 in Palma de Mallorca, Spain. Today, his works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the Tate Gallery in London, and the Fundació Joan Miró in Barcelona, a museum dedicated to the artist and his legacy.
Related Categories
Mid-Century Modern prints. Alexander Calder. Spanish art. Spanish painters. Chagall. Tapies.
- Creation Year:1979
- Dimensions:Height: 12 in (30.48 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- After:Joan Miró (1893 - 1983, Catalan)
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354315485182
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By Joan Miró
Located in NEW YORK, NY
Joan Miró lithographic cover: Derrière le miroir:
Lithographic cover; 15 x 11 inches.
Very good overall vintage condition.
Unsigned from an edition of unknown.
Portfolio: Derrière le miroir, c.1968.
Looks superb matted & framed.
Derrière le miroir:
In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France.
The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time.
The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies.
Widely considered one of the leading Surrealists (though he was never officially part of the group), Joan Miró was also a pioneer of automatism: a method of spontaneous drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic manner, developing intricate compositions and a wandering linear style that combined abstract elements with recurring motifs such as birds, eyes, and the moon. During his lifetime, Miró received the Grand Prize for Graphic Work at the 1954 Venice Biennale, exhibited at the first Documenta exhibition in 1955, and enjoyed multiple high-profile retrospectives. Today, Miró’s work—which has sold for eight figures at auction—can be found in the permanent collections of the Art Institute of Chicago and the Museum of Modern Art, among other institutions. His public sculptures and murals are installed in cities around the world, including Milan, Paris, and Barcelona.
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