Maria Mijares

JJ's Hot Dog Truck II

2020

"Pontiac Cheiftain" by Shan Fannin is an original acrylic painting depicting a close up view of a fin and ornament of a classic yellow Pontiac. Born 1969 in California, artist Shan...

Shan Fannin's (US based) "F105G Thunderbird" is an acrylic painting that depicts a F-105G Thundercheif. Born 1969 in California, artist Shannon “Shan” Fannin brings vehicles to lif...

Maria Mijares' "Lincoln Tunnel (Dash)" is an original, handmade acrylic painting that depicts an urban landscape of city lights and motion blurs glaring ye...

Maria Mijares' "Lincoln Tunnel (Bus)" is an original, handmade acrylic painting that depicts an urban landscape with streaks of red and purple from taillights and cars traveling...

"Purple Cabbage" is a unique trial-proof screen print on linen canvas by AI artist Tom White. This piece was created using neural networks trained on im...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Luscious Cream Roses" by Julie Whitehead is an exquisite orig...

This painting by Linda King Ferguson depicts a rectangular linen canvas painted bright orange, with a second layer of deep wine red ellipsis and scalloped edges in the foreground. Red circles dominate the center of the painting in two different sizes. Some of the circles overlap, creating a vesica piscis shape. Linda King Ferguson lives and works in Munising, MI and Nashville, TN. She is in residence semi-annually in Brooklyn, NY. She has a MA from Rhode Island School of Design, and received an MFA from Vermont College of Fine Arts. She also has studied at Academia Di Belle Arti in Perugia...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. The diamond shaped canvas is primarily a brown cardboard color, with two circles dominating the center of the composition. Stacked vertically, the topmost circle is a light lavender color, and the lower circle is a creamy, salmon orange. Two cuts have been made in the canvas on either side of the center, where the edges of the two circles meet. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...