Marsha Whitesides Piper

Nutmeg in Situ

2020

Apple Tree, 2016

Sugar, Sugar, 2020

First Blooms, 2012

Pear Cider, 2015

Alex Amann’s oeuvre contains a variety of genres, which are, however, well-coordinated through their design. He devotes himself to still life as well as to landscape painting and fig...

In her newest body of work depicting compilations of objects commonly used within the paintings of the traditional Western canon of art, Melissa Furness addresses the foundations of ...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf...

The painting is being offered with a work and authenticity certificate