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Martin KippenbergerKIPPENBERGER, Martin. Hotel-Hotel1992
1992
About the Item
KIPPENBERGER, Martin. Hotel-Hotel. 494 pp. Illustrated with 245 reproductions. 4to., bound in original wrappers in a new cloth box. Koln: Verlag der Buchhandlung Walther Konig, 1992.
This is the first volume of Kippenberger's trilogy Hotel-Hotel, Hotel-Hotel-Hotel and No Drawing No Cry. The books each consist of collections of drawings Kippenbergerer made on stationary from hotels around the world. Kippenberger made hundreds of drawings on hotel stationery, a body of work that comes across as a kind of travel diary. Although he often lived in hotels for weeks or even months, he didn't stay at all the hotels whose notepaper he used, often picking it up from other sources. The stationery became, like so many things he encountered, a readymade material for his art. One of an edition of 950, this one unnumbered. A fine copy, rarely found thus.
Koch, Martin Kippenberger Books 1977-1997, No. 109.
- Creator:Martin Kippenberger (1953 - 1997, German)
- Creation Year:1992
- Dimensions:Height: 11.75 in (29.85 cm)Width: 8.25 in (20.96 cm)Depth: 1.13 in (2.88 cm)
- Movement & Style:
- Period:
- Condition:A fine copy, rarely found thus.
- Gallery Location:New York, NY
- Reference Number:Seller: 1641811stDibs: LU43831854933
Martin Kippenberger
For two prolific decades, Martin Kippenberger critiqued consumerism, pop culture, and art world status quo with provocative Neo-Expressionist paintings, sculptures, photographs, collages, and installations. Drawing from disparate art historical references including Pablo Picasso, Marcel Duchamp, Sigmar Polke, Pop art, Social Realism, and punk, he remixed old styles to generate wild, funny, and new modes of artmaking. Kippenberger is known for self-portraits in which he riffed on historical paintings and often appropriated others’ work outright. In 1987, he turned a monochrome canvas by Gerhard Richter into a coffee table. For his series “Lieber Maler, Male Mir” (“Dear Painter, Paint for Me,” 1981), Kippenberger commissioned a sign painter in Berlin named Werner to produce several works for him; he then credited them to “Werner Kippenberger.” During his brief lifetime, Kippenberger exhibited extensively in Europe and the United States
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