Plexiglass More Art

The pi fire of Jesus appears when looking straight in the middle in the light. Acrylic, STRAWS, Plexiglas. Sang Sik Hongs' work is all made by hand; each straw is hand placed, a co...

In his couture series, Peter Hoffer explores the theater of fashion through a reinterpreted runway. In this mixed media painting, a realistically rendered model for the Italian luxur...

This Green neon Buddha statue, is 2 layers of laser cut Plexiglas joined together by brass industrial elements. A unique Buddha sculpture, designed as an everyday reminder to live a compassionate and mindful life. Influenced by both urban industrial reality, and by Buddhist philosophy, this sculpture will add a touch of style and spirituality to any room, office, studio, spa or space. The X-Large meditating Buddha statue...

This piece is offered in the following colors: White, ruby red, coral pink, violet, turquoise, emerald green, promo blue and light blue. When ordering please mention the desired colo...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

This work is sourced directly from the artist. Butterflies cut from fine art paper, arranged in the shape of a solid circle, airbrushed with liquid acrylic paint and pinned with stai...

The perfect gift to your loved ones!! This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. Th...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This work is sourced directly from the artist. Butterflies cut from International Currency and gold foil, arranged in the shape of a target, and pinned with stainless steel entomology pins to canvas. Framed in a white, wooden frame. About Charles Patrick Charles Patrick is best known for his intricately cut paper butterflies, suspended like museum specimens on individual entomology pins and clustered together to form icons, logos, and symbols against the backdrop of pristine canvases. Living in a world between the paper and digital ages, these works conjure feelings of nostalgia for the tactility of paper, created from vintage comic books, children’s books, currency, maps, and other obsolete ephemera. This stands in jarring contrast to the clean, pixelated designs that the butterflies form which exchange individual emotion for the universal immediacy of today’s contemporary visual language. Targets, hearts, ohms, and stars pop from the canvas in three-dimension - a fresh departure from the flat screens that are the norm today. With a background in vintage poster restoration, illustration, and printmaking, Charles Patrick combines his love of paper, art history, and design to create works that are both strikingly beautiful and poignantly thought-provoking. Charles lives and works between Cos Cob...

Engler (1953) was born in Grabs (SG), Switzerland. He now lives in Geneva. After studying art in Zurich he developed diverse techniques: mixed media, oil painting, collage, bronze casting and sculpture. He executes “corporate portraits» for private individuals and companies - communication through art is born. His works are snapshots of an emotional journey linking daily life to art. His transparent «Life Portraits» leave enough space for the spectator to construct his/her own interpretation. In 2008, during a stay in Havana, Cuba, Martin Engler discovered the ancient techniques of collagraphy and monotypography. His participation at the 10th Havana Biennial is the subject of the documentary “Cuba, la caja...