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Maurice EstèveGrand Pavois - Correspondence - Maurice Estève and Nesto Jacometti - 19561956
1956
$699.12
£527.26
€600
CA$966.59
A$1,082.74
CHF 568.69
MX$13,165.78
NOK 7,201.53
SEK 6,836.19
DKK 4,567.59
About the Item
Take a look at this "Grand Pavois - Correspondence" between Maurice Estève and Nesto Jacometti. Composed of three items written in 1956, in French, perfectly readable.
In details:
- Two typewritten letters by Nesto Jacometti to M. Estève. Paris, October 11, 1956. April 14, 1956. One page, single-sided. On tissue paper, with aging signs and holes on the left margin.
- An Autograph Letter Signed by M. Estève. April 16th, 1956. Two pages.
Interesting Correspondence between the French artist and his graphic art editors, the Swish Nesto Jacometti and the French Mourlot, concerning the realization of Grand Pavois printings and his great return to the watercolor technique with succesfull overcomes. "Je suis heurex d'aider à la rihabilitation de l'Aquarelle!"
Rich of technical details (artist proofs, circulation, exhibition) this amusing correspondence helps us to understand the relationships between artist and clients and the artist difficulties to realize his lyrical abstract artworks!
Maurice Estève, (Culan, 1904-2001).
The French artist, Estève, particularly impressed by the production of Jean Fouquet, Paolo Uccello and Paul Cézanne, tried to create a new kind of Cubist Fauvism. Indeed Estève began to move away from realism in 1928, and was influenced in the following years by Léger, Matisse and Bonnard. Assistant of Robert Delaunay, he absorbed his stylized figure, realizing compositions with strong colors that gradually became completely abstract, interlocking shapes in bold colors. Has made a number of watercolors and collages, and designed stained glass in 1957 for a church at Berlincourt in the Bernese Jura.Estève's extensive work was not limited to the genre of painting, but also active in collage, textile design and murals. Maurice Estève took part in the Venice Biennale in 1954.
Nesto Jacometti (Locarno, 1898-1973)
Nesto Jacometti is still today a fascinating figure of the Locano and International cultural scene of the last century. Collector and editor of graphic art, he was the promoter of two important editorial projects: the Guilde Internationale de la Gravure and L’Oeuvre Gravée
Born in Locarno at the end of the 19th century, at the age of 30 he left Ticino to move to Paris and immerse himself in the bohemian atmosphere of Montparnasse. The war forces him to return to Switzerland, to Geneva, where he works in the journalistic field and he knows figures as Albert Skira and Pierre Cailler. With the latter one a collaboration born and resulted, in 1949, in a printing guild: an edition of etchings and lithographs destined for a wide circulation of the Paris School. During all his life, Jacometti collaborates and involves artists such as Rufino Tamayo and Jean Lurçat, Antoni Clavé, Zao Wou-Ki, Alfred Manessier, Maurice Estève, Gustave Singier and Zoran Music. He was awarded at the Venice Biennale in 1953, with the Critics' Grand Prix.In 1955 Jacometti engaged in the new publishing initiative, L'Oeuvre Gravée, calling new prestigious names on the Parisian art scene. Many artists owe their initiation to the art of engraving to him: Marino Marini, Massimo Campigli, Zao Wou-Ki, Johnny Friedlaender, Corneille, Max Ernst and Alberto Magnelli.
- Creator:Maurice Estève (1904 - 2001, French)
- Creation Year:1956
- Dimensions:Height: 9.45 in (24 cm)Width: 8.27 in (21 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1124731stDibs: LU65037238452
Maurice Estève
Maurice Estève was born May 2, 1904 in Culan in the Cher where he spent his childhood with his grandparents. He joined them in 1913 in Paris, where he discovered the Louvre Museum (he is particularly impressed by the Battle of San Romano by Paolo Ucello). Returning to Culan for the summer, he stayed there during the war years, began painting as early as 1915. He lived in Paris again from 1918. Apprentice to a typographer then to a modern furniture design studio, he followed Drawing evening class, discovers in 1919 the painting of Cézanne. Back in Paris he attended Montparnasse the free workshop of the Academy Colarossi. Marked until then by the painting of the Primitives and the work of Cézanne, it passed temporarily in 1927 the influence of surrealism, including Giorgio de Chirico. He presents his first solo exhibition in 1930 before becoming interested in film and directing. On the advice of Braque who participates, he is asked in 1936 to exhibit in Stockholm with Matisse, Picasso, Juan Gris and Fernand Léger. He participated the following year in the realization of the wall decorations of Robert and Sonia Delaunay for the pavilions of the Aviation and Railways at the Universal Exhibition of Paris. Estève, who works regularly during the summer in Culan, makes lithographs, regularly practices watercolor but also charcoal, monotype, collage. In 1970, he received the Grand Prix National des Arts. From 1981 are organized several retrospectives of his work. The City of Bourges decided to present all the works (more than a hundred) which the painter donated to him in 1985 in the Hotel des Echevins, restored with the assistance of the Historic Monuments and the Direction of the Museums of France to become the "Estève Museum", inaugurated in 1987. Estève moved permanently to Culan in 1995. He died on June 27, 2001.
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