Mino Maccari

L’Antipatico - Almanacco - Rare Book Illustrated by Mino Maccari - 1959

1955

Bestie del '900 is an original modern rare book illustrated by Mino Maccari (Siena, 1898 – Rome, 1989) and written by Aldo Palazzeschi in 1951. Original First Edition. Published b...

Dancing is a Linocut realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,22/48. Good conditions. Mino Maccari (Siena, 1924-Ro...

Gathering is a Linocut realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,3/78. Good conditions. Mino Maccari (Siena, 1924-R...

Divide et Impera is a Linocut realized by Mino Maccari in the 1960s. Hand-signed in the lower right part. Artist's Proof. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16...

New School is a Linocut realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Numbered. Edition,48/89. Good conditions. Mino Maccari (Siena, 1924...

Figures is a Linocut realized by Mino Maccari in the 1960s. Hand-signed in the lower right part. Numbered. Edition,13/48. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16...

An original linocut print by American artist Irene Zevon. The reclining nude is one of Zevon's most coveted subject matters. This 1959 print is one of a series of ten prints.

In front of the mirror 19/100. Paper, linocut, 49,5x31,5 cm. 1970. Arturs Mucenieks (1912-1984) Graphic artist, painter. Born in the family of the tenant. Zenta Muсenieсe wife - painter, daughter Ilse Muceniece - painter. In 1949 he graduated from the AAL department of Painting; Diploma work "Sportsman holiday " (head O. Skulme). He worked as a teacher and head of the teaching department at the J. Rosenthal Riga Art School (1950-56), editorial managers of landscape, poster and cards at publishing house "Liesma" (1966-68). He participated in exhibitions since 1948. Significant personal and memorabilia exhibition: in Riga (1969-70, 1971, 1975, 76, 78-79, 80, 85), Ogre (1978-79, 1989). Member of the Artists` Union of Latvia since 1959. In easel graphic he carried away with monumentalism, poetically rich and naturally true person depiction, which realized in dynamic linocuts cycles ( "Latvian farm Anturage", 1961; "We want peace", 1962; "Spring Song", 1967). Concept of monumantalizing image developed in book graphics, primarily in the illustration to the prose (P. Bauģe "People near the water" 1961, R. Ezeras "Wild apple tree" 1966, and "Water well", 1972, A. Auziņa "Griezies, vilciņ", 1973) and poster art (" Riga - 750! ", 1951; the cycle" Latvian Riflemen", 1959; triptych "Slava" 1967 "on March 8", 1968...

"Fifty Years Later" - Linocut Print on Paper 1/10 A silhouetted image of a person's profile dropping their ballot into a voting box. The simple shapes, t...

"Bacchanale with Acrobat" is a linocut on paper with an image size of 21 x 25 inches, signed 'Picasso' lower right, and framed in a Spanish-style, closed-corner, black and gold frame. One of about 20 signed artist proofs in the edition (there were also 50 Arabic). Catalogues - Bloch vol. I, #933; Baer vol. V, #1264 Picasso’s linocut prints...

'Flowers' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents a scattered floral still life amongst abstracted shadows and forms, rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the flower resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4 x 5.25 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

'Field' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents fields of flowers, trees and grasses below a cloudy sky, but rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the plants resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4.5 x 6 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...