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Roy Lichtenstein San Francisco 1971 (announcement)1971
1971
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About the Item
Roy Lichtenstein San Francisco 1971:
Rare vintage original early 1970s exhibition announcement published on the occasion of: Roy Lichtenstein, A Retrospective of Prints, 1962 - 1971. Held Sept 15-Oct 25 1971, preview: Wed, Sept 15, 5:30-7:30 at John Berggruen Gallery, 257 Grant Avenue, San Francisco, Ca. 94108.
Medium: Offset Printed exhibition announcement.
Condition: Minor signs of aging. Good overall vintage condition.
Dimensions: 3.25x6.5 inches.
Unsigned from an edition of unknown. Rare.
Pop artist Roy Lichtenstein mined advertisements and comics to make groundbreaking paintings that brought American pop culture into gallery spaces. Lichtenstein undermined the distinction between painting and printing as he made canvases that looked as though they’d come from a commercial press; using paint and stencils, he meticulously rendered flat, single-color benday dots by hand. Lichtenstein introduced his detached and deadpan style in 1961 when he painted Look Mickey, a picture of the cartoon mouse executed in primary colors. Five years later, he represented the United States at the Venice Biennale. His use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.
Related Categories
Lichtenstein prints. Tom Wesselmann. Robert Rauschenberg. 1960s Pop Art. Contemporary Pop. Claes Oldenburg. James Rosenquist. Engagement with Mass Media, Popular Culture, New York Artists, Comic/Cartoon, 20th Century Art.
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A rare, highly collectible 1960s Roy Lichtenstein announcement published on the occasion of: Roy Lichtenstein, 'Rouen Cathedrals and Haystacks', Leo Castelli Gallery, New York, June 7th, 1969.
Medium: Folding announcement on smooth wove paper; offset printed; 1969.
Dimensions: 9.25 x 6.5 inches (folded closed).
Good overall vintage condition.
Unsigned from an edition of unknown. Scarce.
_
Roy Lichtenstein was an American artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben-Day dots—the method used by newspapers and comic strips to denote gradients and texture—Lichtenstein’s work mimicked the mechanical technique with his own hand on a much larger scale. He was a leading figure in establishing the Pop Art movement, along with Claes Oldenburg, Andy Warhol, and Jasper Johns. “I take a cliché and try to organize its forms to make it monumental. The difference is often not great, but it is crucial,” he once said of his work. Born on October 27, 1923 in New York, NY, he studied painting under Reginald Marsh at the Art Students League of New York after graduating from high school. Drafted by the US Army during World War II, while stationed in France, he notably encountered the works of European masters and contemporary artists. After the war, he returned to America and completed his degree at Ohio State University, producing paintings in the vein of Abstract Expressionism. Lichtenstein began teaching art at Rutgers University during the late 1950s, meeting fellow faculty members involved in the New York art scene, including the performance artist Allan Kaprow. By the early 1960s, he had begun showing with Leo Castelli gallery in New York, and made major breakthroughs with works such as Drowning Girl (1963), a satirical take on melodramatic pulp fiction of the era. Themes of irony and cliché prevailed throughout the remainder of Lichtenstein’s career, as evinced in his Haystacks (1969), a take on the canonical series by Claude Monet. The artist died of pneumonia on September 29, 1997 in New York, NY. Today, his works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Tate Modern in London.
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