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A beautiful oil still life of a vase of assorted flowers, with two roses on the table. Unframed. Unsigned. Image, 16"H x 20"L.

Edward Hopper American Diner Painting by Leading British Urban Landscape Artist, Angela Wakefield. Paintings of American Diners, Food Courts, Truck Stop...

Gorgeous American Impressionist still life oil painting of a basket of vibrant vegetables with a white curtain background by Monterey, California artist Genevieve Rogers (American, 1...

A still-life oil painting of pink peonies. Artist Bio Viktor Butko was born in 1978 in Moscow, into a family of artists. He often visited the studio of h...

Vibrant mid-century floral still-life of a bouquet of Chrysanthemums in a classic Deco style trapezoid vase by C.A. Wilkenson (American, 20th C), c.1960. Signed "C.A. Wilkenson" lowe...

Artist/ School: French School, first half 20th century. Indistinctly signed to the lower corner. Title: Still Life of Flowers on a window sill, looking outside. Medium: oil paintin...

NEW IMAAGES COMING SOON. In the Louvre displays the American Impressionistic Style . The artist describes himself as one of the New Orientalists a traveling painter in the modern world. Art has always been his passion. His subjects vary but his favorite is The Traveling Painter as seen in the Impressionist painting Inside the Louvre which was painted in Paris. In the Louvre shows the visual approach such as light and Shadow, Local Tone, Color, etc. or in the visual design shapes, values, color of the painting. 2nd Place, Non-commissioned Category, Portrait Society of America, Member's Only Competition, December 2019 Figurative Honorable Mention, Oil Painters of America, 2019 National Juried Exhibition, Illume Gallery of Fine Art, Saint George, Utah, May 2019 Finalist, Non-commissioned Category, Portrait Society of America, Member's Only Competition, December 2018 Honorable Mention, American Impressionists Society, National Juried Show, Abend Gallery, Denver, CO, October 2014 Paint-out Winner, Oil Painters of America, 2012 Western Regional Show, Gallery 1261, Denver, CO, October 2012 Juror’s Top 60 Award, Salon International, 2010 National Juried Exhibition, Greenhouse Gallery, San Antonio, TX April 2010 Best Figurative Narrative Award, Salon International, 2007 National Juried Exhibition, Greenhouse Gallery, San Antonio, TX, June 2007 Zhiwei Tu...

A Still life painting of lilac blossoms in a clear glass vase. The vase sits on a pale pink table cloth that mirrors the highlights in the flowers. To the left of the vase of flowers lays a branch of lilac leaves. Square tiles are hinted at in the background of the painting. Framed in a white wood and gilded frame. Framed dimensions: 22.25 x 22.25 inches Painting dimensions: 16 x 16 inches Kelly Carmody has exhibited at venues including the Portrait Society of America and the Art Students League. Most recently, she was selected for the 2015 BP Portrait Award Show at the National Portrait Gallery in London and the 2016 Outwin Boochever Award at the National Portrait Gallery in Washington D.C. In addition, the historic Guild of Boston Artists elected her to become a member in 2015, she won the Edmund C. Tarbell Award in her first juried members show. The winning portrait is on the cover of July/August edition of Fine Art Connoisseur. In June of 2015 she received the Blanche E. Colman Award. She was invited to exhibit in the 2016 American Masters show at the Salmagundi Club. She currently has work at the Sloane Merrill Gallery in Boston, the Guild of Boston Artists, and the Ann Long Gallery in Charleston, SC. Publications that have featured her work include American Art Collector, Fine Art Connoisseur, International Artist Magazine, Fine Art Today, Southwest Art, Studio Visit Magazine, Boston Magazine, and The Boston Globe. Carmody has won grants from the Ludwig Foundation, Turkey Land Cove Foundation, and Massachusetts Cultural Council, as well as receiving an Edward G. McDowell Travel Grant and the Walter Feldman...

An oil painting of an interior, a country home in Tuscany. This is actually the dining room of fellow painter, Ben Fenske. Natural light rushes in through windows and an open doorway...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Robert Julius Beyschlag (Germany, 1838-1903) mother and child oil painting, circa 1870 Charming original oil painting by listed 19th ce...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...