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Tyler Shields
Tyler Shields - Pop Art, Photography 2017, Printed After

2017

About the Item

Series: Masters Chromogenic Print on Kodak Endura Luster Paper All available sizes & editions for each size of this photograph: 18" x 18" Edition of 3 45" x 45" Edition of 3 60" x 60" Edition of 3 “I have seen this image in my head for a long time now it is so nice to be able to see it in real life.” says Shields as he pays homage to Andy Warhol’s iconic Marilyn and Campbell’s Soup. Tyler Shields is photographer, film director, and writer, best known for his images of Hollywood celebrities. Known for his controversial and violent images, and frequently drawing criticism from animal rights activists and women’s groups, his photographs capture much of the most over-the-top, brutal aspects of contemporary celebrity culture. Born in Jacksonville, Florida and now recognized as “Hollywood’s favorite photographer”, contemporary artist and filmmaker Tyler Shields’ evolution from the “bad boy of photography” with his controversial blood-stained photographic series featuring Lindsay Lohan to the more subtle color-explosive poesy of his Chromatic series, and his work featuring Francesca Eastwood (Clint’s daughter) to the fire-starting bag-sawing antics of a $100,00 Hermes Birkin Bag, to the stoic magic surrealism of Suspense, a project shot in the New Mexico desert featuring Franseca Eastwood, Emma Roberts and Lydia Hearst, Mr. Shield’s art captures the emergence of an artist and his medium into a more mature overture and output. Tyler Shields is an American image-maker. This photograph will be printed once payment has been received and will ship directly from the printer the artist works with. Your certificate of authenticity will be shipped separately from your print and in most cases will ship directly from the gallery. The Gallery is more than happy to provide clients with the next available edition number, however, the Gallery can only guarantee the specific edition number the client will receive once payment has been received.
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