Unknown

19th Century Steamboat British Woolie

1864

19th Century Woolie crafted by British Sailor with Japanese flag Insigne 1863 British Steam Boat Entering in Japan Harbor

Created in 1869 by British Naval Officer a woolie of H.M.S Volage which was built for the Royal Navy in the late 1860s and was assigned to the Flying Squandron circumnavigating the w...

"Sailboat in a Maple Frame" - British Woolie, 1870 Wool Embroidery 12 x 19.5 inches Framed 14 x 22 inches 19th Century British Woolie in Maple Frame fe...

19th Century British Woolie featuring a curtain border and floral accents Medium is wool and is considered traditional folk art made by British Royal ...

Signed lower left. In this richly imaginative painting by Julian Nemethy reimagines the Hudson River day liner not merely as a vessel of transport, but as a dreamscape in motion. The steamboat, rendered with meticulous precision, glides through a river that shimmers magically—beneath a sky alive with imaginative playful clouds Nemethy’s signature style is on full display: whimsical flourishes, exaggerated perspectives, and a near-naïve attention to detail that invites the viewer into a world where nostalgia and fantasy intertwine. The day liner becomes a symbol of freedom and wonder, a floating stage for the American imagination. It’s a celebration of movement, memory, and the enduring romance of the Hudson. Contemporary artist Julian Nemethy is the son of artist Albert Nemethy, and his work can be distinguished from that of his father by the use of fantastical elements, extreme use of color and detail, and whimsical touches. Julian Nemethy is one of the many artists in the Nemethy family. Born in Hungary, his parents fled the Communist regime in the mid-1950s when Julian was a small child. He was one of six siblings who were raised by their father. In high school, Julian taught himself to paint, and felt he had found his vocation. In the 1980s, he moved to the Smokey Mountains of...

19th Century British School Ship at Sea Oil on canvas laid on panel 11 x 14.5 inches 14.5 x 18 inches, framed Frame has chips and paint loss. See photos.

Antique Sailor's Folk Art Woolie of a Single Decker Ship of the Line, circa 1850, a sailor's folk art woolwork picture handcrafted of woolen yarn in a bold variety of stitches, depic...

The former Curator of Oil Paintings at the National Maritime Museum, E H H Archibald, says of Joseph Heard in his Dictionary of Sea Painters in Europe and America that "…with Samuel Walters he must stand as the top-ranking Liverpool ship portraitist of the 19th century." He would have known the artist's work well as the National Maritime Museum has eleven paintings by Heard in its collection. Joseph Heard was born on 7th March 1799 in Egremont near Whitehaven in Cumberland. His father, also Joseph, was a saddler and it is believed that the aspirant painter received some artistic training from John Clementson who was a local portrait painter. Joseph had a brother Isaac who painted portraits. It is possible that Joseph came across the work of H Collins...