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Framed Early 19th Century Embroidery - Greek Classical Scene

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A charming petit point needlework from the late 19th Century, showing a heartwarming scene of an elderly couple sitting in a close embrace in their home with the cat and dog at their...

A fine survival, this original 19th Century petit point embroidery with extensive beadwork shows two figures surrounded by a scrolling foliate border. Well-presented in a deep gilt w...

A large work of embroidery depicting flowers and their leaves. Presented glazed in a wooden frame with twisted rope detailing and a gilt-effect inner edge. Unsigned.

A needlepoint work depicting the Old Testament story of the Binding of Isaac. A messenger from God halts Abraham in the sacrifice of his son, causing ...

Curvaceous art nouveau flowers have been carefully embroidered with colour threat to complete is lavish botanical motif. A mix of stitching patterns have been used by the artist to b...

Unsigned. With watercolour painting to the background. Presented in an oval Hogarth style frame. On silk.

Vintage In the center of Mumbai city is an unorganised labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewellery, the list...

"Porter Series: Carte L'Europe (Shower Woman)" is a tapestry by South African artist William Kentridge. It is edition 1 of 5 (plus 2 APs) and signed verso "W. Kentridge". William Kentridge is a South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The pungent humanism he revealed in these and other works echoed a larger European tradition of artists such as Honoré Daumier, Francisco de Goya, and William Hogarth. Kentridge, whose father was a noted antiapartheid lawyer, attended the University of Witwatersrand in Johannesburg (1973–76) and the now-defunct Johannesburg Art Foundation (1976–78). At various times in the 1970s and ’80s, he worked as an actor, playwright, set designer, and theatrical director, and he studied mime and theatre in Paris in the early 1980s. In 1992 he began an ongoing collaboration involving multimedia performances with Handspring Puppet Theatre (founded 1981) in Cape Town. As is clear from both his early training and his later artistic output, Kentridge’s interest in the visual arts was rooted in its connection with the theatrical arts. The narrative structure and character development in his films reflect this connection. While Kentridge pursued several avenues as an artist, at the centre of his work was a sequence of short animated films. To produce them, he made a rough charcoal drawing, photographed it, altered the drawing slightly, photographed it again, and so on. Kentridge’s original drawings are often completely effaced by their successors. Many of these films—including Johannesburg, 2nd Greatest City After Paris (1989) and Felix in Exile (1994)—follow the fortunes of the greedy capitalist Soho Eckstein and his alter ego, the sensitive and artistic Felix Teitelbaum. They present modern South Africa as reflective of the spiritual, ecological, and emotional crises of late capitalism. Kentridge later established himself as a consummate figure in the performing arts, particularly for his innovative stagings of the operas The Nose (2010) and Lulu (2015) at New York’s Metropolitan Opera and Wozzeck (2017) at the Salzburg Festival...

This tapestry is based on a design by William Morris (1834-1896). He was instrumental in the revival of the decorative arts at the end of the 19th century. This tapestry is French ...

Artist: after Shlomo Katz, Polish/Israeli (1937 - 1992) Title: Who Knows One (Passover) Year: 2000 Medium: Woolen Carpet Tapestry, signature in the cache Size: 120 x 95 in. (304.8 x ...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...