Unknown

Early 20th Century Embroidery - Flowers and Leaves

Unknown

An outstanding early 19th Century silkwork embroidery on fabric canvas, with watercolour painted figures, depicting a classical bearded gentleman with a young girl in traditional dress. The scene has a religious air, with the girl pointing upwards towards the heavens. This work may depict the rise of Christianity over dominant Greek polytheism, with large columns seen in the background. Several gold objects...

A charming petit point needlework from the late 19th Century, showing a heartwarming scene of an elderly couple sitting in a close embrace in their home with the cat and dog at their...

A vibrant floral & botanical embroidery depicting parrot tulips intertwined with red berries and smaller spring flowers. Presented in a stunning o...

An exquisite 20th Century embroidery using the most beautiful silk threads. The colours of the threads a wonderfully bright and the flat, directional stitches give the embroidery mov...

A delightful work of silk embroidery depicting a village scene with a church and cottage surrounded by elaborate flowers. Presented glazed in a white card mount and a wooden frame wi...

A fine survival, this original 19th Century petit point embroidery with extensive beadwork shows two figures surrounded by a scrolling foliate border. Well-presented in a deep gilt w...

ca. Contemporary Hand Knotted Wool Moroccan rugs are a handmade creation, woven by the women of Berber tribes in the Atlas mountains. Each kind of berber rug is characterized by...

knotted tapestry by 'De Stijl' artist Bart van der Leck (1876-1958) with important provenance Bart van der Leck, together with Piet Mondrian and Theo van Doesburg, is one of the founding members of the 'De Stijl' group in 1916-1917. At that time, Bart van der Leck's work had a major influence on the development of the work of Piet Mondrian and Theo van Doesburg. This carpet comes from and is used in the Villa Schöne-van der Leck in Blaricum. The villa Schöne-van der Leck was built in 1953 after a design by Piet J. Elling in collaboration with the artist Bart van der Leck. The clients, Mr. and Mrs. O. Schöne-Van der Leck, were Bart van der Leck's son-in-law and daughter, respectively. The villa Schöne-van der Leck has exceptional art-historical value because of the collaboration between the architect Elling and 'De Stijl' artist Bart van der Leck, resulting in a total work of art according to the principles of 'De Stijl', in which the various disciplines have equal value. contributed. The property has a rarity value due to the fact that very few such total works of art have been preserved according to the principles of 'De Stijl'; as far as we know, this is the only one by Elling and Van der Leck. The entire house was decorated in 'De Stijl' visual language. Bart van der Leck made interventions in various rooms by applying color areas on walls and ceilings in the 'De Stijl' colors red, yellow and blue...

A lavish French Aubbusson style jacquard tapestry depicting an exciting Renaissance era hunting scene. The scene is set in a dense forest of blue, g...

"Classic Love" by Robert Indiana is a tapestry of the artist's iconic painting "LOVE", which was created in 1964 as a Christmas card motif for the Museum of Modern Art in New York City and has since become one of the most famous contemporary works. This hand-knotted tapestry...

Sz: 68" x 56"

Mathieu Matégot (1910-2001) Castille c.1950s Aubusson tapestry, Pinton Frères; (probably) unique 156 x 120 cm signed ‘Matégot’ and with the Pinton Frères monogram (lower right); titled, inscribed, numbered and signed (workshop label on the verso) Price: $14,000 USD Provenance: Barry Friedman Ltd, New York (stock no. BF11410) Notes: Mathieu Matégot was a Hungarian-born French designer, architect and artist. After studying at Budapest's School of Fine Arts in 1929, Matégot travelled across Italy and the USA until settling in Paris in 1931 where he worked as a set designer, window dresser and tapestry maker. Matégot volunteered for the French resistance at the start of the Second World War, only to be captured by the Nazis. A dreadful fate for most, however, it was during his time as a prisoner of war that the artist discovered metalworking techniques (such as Rigitulle) which he later patented and became renowned for. Upon his release, Matégot was awarded French citizenship. After the war, the artist's interest in tapestry was renewed after being introduced to contemporary tapestry revivalist, Jean Lurçat. However, in order to make ends meet, Matégot pursued furniture design; he established a workshop in Paris and dedicated his time to translating the groundbreaking metal techniques into popular handcrafted objects. In 1959, Matégot abandoned furniture design and focused exclusively on his passion for abstract tapestries. He continued his work as a pioneer of French Modern tapestry...