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Framed Hmong Appliqué Textile Fragment

Mid-20th Century

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby cars of his youth, eac...

This Korean hanging scroll from the mid-20th century honors traditional calligraphy painting with delicate detail and a refined composition, thought to inspire clear and concise thinking. Expressing the beauty and resilience of nature’s flora, ink calligraphy artists traditionally select plants and flowers as the subjects of their works, each chosen for its auspicious meaning, literary resonance, or scholarly virtue. This particular example depicts a quiet natural landscape of three plants growing side-by-side along a rocky hill. Strong bamboo stalks sway above a branch of delicate prunus branches, while elegant orchids blossom in the foreground. Each painted by a different artist, these sacred plants represent the cycle of the seasons: the plum blossom for winter, the orchid for spring, and the bamboo for summer. Brushed with black ink for a monochromatic expression, the painting relies on value rather than color to convey depth and texture within this simple setting. The collaborative painting is contrasted by a beautiful blue silk brocade border woven with a repeating pattern of blossoms and vines. Each plant is signed individually in ink along with the artist’s seal. Painting has been remounted. Includes a wooden scroll...

Evolving from the Korean tradition of tomb mural painting came the Buddhist practice of “taenghwa,” or hanging-painting, a form of religious painting that included hanging scrolls, framed paintings and wall murals. Influenced by Chinese and Central Asian Buddhist art...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box...

Textile painting hand-embroidered Unique work Hand-signed and dated lower right by the artist “I sew like some people recite mantras. I don't decide anything in advance. Images emer...

Embroidered textile painting Hand sewed, unique, hand-signed by the artist Penelope or Parque of modern times, Barbara d’Antuono sews by hand like others recite mantras and decides nothing in advance. She lets images arise without any particular coherence with each other, but to which she gives substance in a kind of urgency, in the form of a strip not drawn but sewn. The exhibition, like the eponymous book, covers seven years of this assiduous and patient work through nearly 30 textile works, real freeze frames made of the emotions and memories of the artist, like so many portraits of humanity. . Her meeting in Haiti with Baron Samedi...

Embroidered textile painting Hand sewed, unique, hand-signed by the artist Penelope or Parque of modern times, Barbara d’Antuono sews by hand like others recite mantras and decides nothing in advance. She lets images arise without any particular coherence with each other, but to which she gives substance in a kind of urgency, in the form of a strip not drawn but sewn. The exhibition, like the eponymous book, covers seven years of this assiduous and patient work through nearly 30 textile works, real freeze frames made of the emotions and memories of the artist, like so many portraits of humanity. . Her meeting in Haiti with Baron Samedi...

Embroidered textile painting Unique work, hand-signed by the artist Penelope or Parque of modern times, Barbara d’Antuono sews by hand like others recite mantras and decides nothing in advance. She lets images arise without any particular coherence with each other, but to which she gives substance in a kind of urgency, in the form of a strip not drawn but sewn. The exhibition, like the eponymous book, covers seven years of this assiduous and patient work through nearly 30 textile works, real freeze frames made of the emotions and memories of the artist, like so many portraits of humanity. . Her meeting in Haiti with Baron Samedi...