Items Similar to Framed Hmong Appliqué Textile Fragment
Want more images or videos?
Request additional images or videos from the seller
1 of 5
UnknownFramed Hmong Appliqué Textile FragmentMid-20th Century
Mid-20th Century
$2,280
£1,750.94
€2,006.56
CA$3,209.68
A$3,595.55
CHF 1,873.61
MX$43,858.26
NOK 23,809.26
SEK 22,450.44
DKK 14,976.40
About the Item
Dating to the mid-20th century, this colorful Hmong textile is a classic example of the appliqué technique used for the traditional cloth known as paj ntaub. Appliqué is the process by which patches of fabric are sewn onto a different piece of fabric to form a new pattern.
Paj ntaub is an integral part of Hmong culture and fashion, in particular a source of great pride to Hmong women. The brightly colored embellishments, often on darker fabric, were a staple for clothing used in traditional celebrations including marriages, births, holidays and other important events. Through periods of persecution, Hmong women began preserving their language through imagery, stitching secret messages onto their clothes as they migrated from village to village. The paj ntaub quickly became a way to hold onto the identity and culture of the Hmong people, even going so far as evolving into story clothes depicting scenes, events, and narratives from their oral history.
This framed paj ntaub fragment is comprised of intricate appliqué patterns enclosed by a black border with white and pink stars (hnub qub). At the center of the textile are four squares with various ancient Hmong symbols. Each has a central coil (lub qwj yees) symbolizing family growth and interrelatedness. Surrounding the spiral are eight snails (qab qwj) which represent the union of two families and can also symbolize the spinning motion used in many spiritual chants. Lining each square is a step motif (theem ntaiv), which can be interpreted to represent the nomad lifestyle of the Hmong people. Lastly, there is a border with a repeating triangle pattern surrounding all four squares representing mountains (rooj), believed to embody strength. While some of the traditional meaning of paj ntaub imagery has been lost with various interpretations, the art remains alive, preserving connections with a lost homeland.
From the collection of Frances and Gary Comer.
- Creation Year:Mid-20th Century
- Dimensions:Height: 18.5 in (46.99 cm)Width: 34.5 in (87.63 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:Seller: CFC2851stDibs: LU1036312985552
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
1stDibs seller since 2018
31 sales on 1stDibs
- ShippingRetrieving quote...Shipping from: Chicago, IL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllEmbroidered Miao Baby Carrier Textile
Located in Chicago, IL
The connection between love and embroidery is nowhere stronger than among the minority peoples of China. Hand-stitched by a mother herself or gifted by the women in her family, the t...
Category
Early 20th Century Folk Art Mixed Media
Materials
Cotton, Silk, Thread
Qing-Dynasty Silk Brocade Chair Panel with Pagoda & Crane
Located in Chicago, IL
This framed silk brocade tapestry is one half of a magnificent Qing-dynasty chair panel, or chair strip. Because traditional Chinese seating was not upho...
Category
Mid-19th Century Qing Mixed Media
Materials
Silk
Chinese Mythical Immortal Screen Painting, c. 1850
Located in Chicago, IL
Since the 12th century, people in China have used folding screens and doors to partition and decorate their homes - the vivid scenes backing the screens added life and color to a roo...
Category
Mid-19th Century Figurative Paintings
Materials
Fabric, Ink, Pigment
Tibetan Thangka of Sakyamuni, c. 1880
Located in Chicago, IL
Historically in Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. This 19th-century Tibetan Thangka, painted in rich red, green, and blue pigments, still maintains incredible vibrancy.
The central figure is the Sakyamuni Buddha, seated in the diamond position with alms bowl...
Category
19th Century Figurative Paintings
Materials
Linen, Silk, Pigment
Qing-Dynasty Silk Brocade Chair Panel with Fu Lion
Located in Chicago, IL
This framed silk brocade tapestry is one half of a magnificent Qing-dynasty chair panel, or chair strip. Because traditional Chinese seating was not upho...
Category
Mid-19th Century Qing Mixed Media
Materials
Silk
Chinese Mythical Immortal Screen Painting, c. 1850
Located in Chicago, IL
Since the 12th century, people in China have used folding screens and doors to partition and decorate their homes - the vivid scenes backing the screens added life and color to a roo...
Category
Mid-19th Century Figurative Paintings
Materials
Fabric, Ink, Pigment
You May Also Like
Framed Hmong Appliqué Textile Fragment
Located in Chicago, IL
Dating to the mid-20th century, this colorful Hmong textile is a classic example of the appliqué technique used for the traditional cloth known as paj n...
Category
20th Century Southeast Asian Folk Art Tapestries
Materials
Fabric
Framed Antique Coptic Textile Fragment from Byzantine North Africa
Located in Atlanta, GA
A small piece of antique Coptic textile woven as a horizontal band with two linear scallop borders flanking three central medallion design. Each medallion has a concentric pattern wi...
Category
Antique 15th Century and Earlier Egyptian Archaistic Shadow Boxes
Materials
Wood, Wool
Woven Textile Fragment. East European. 19th Century
Located in St Annes, Lancashire
Lovely textile sample
Fabulous colours
Great piece of folk art.
Likely to be of East European origin. Possibly Balkan.
In new white painted box fra...
Category
Antique Late 19th Century Balkan Folk Art Decorative Art
Materials
Wool, Cotton
Framed Kazak Embroidery Fragment Early 20th C.
Located in Poole, GB
Framed Kazak Embroidery Fragment Early 20th C.
Professionally mounted and framed.
Textile Hand-stitched onto hand loomed linen, with no glue used.
Ready to Hang with Wire on Back.
Category
20th Century Kazakhstani Decorative Art
Materials
Cotton
Professionally Framed Moroccan Belt Fragment, Early 20th C.
Located in Istanbul, TR
First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.
Early 20th C.. Morocco
Ready to go on a wall.
Category
Early 20th Century Moroccan Folk Art Pillows and Throws
Materials
Silk
Framed Antique Embroidery Fragment Probably Armenian, Turkey, 19th Century.
Located in Istanbul, TR
First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame.
19th C. Turkey
Ready to go on a wall.
Framed Ite...
Category
Antique 19th Century Turkish Suzani Decorative Art
Materials
Silk
More Ways To Browse
Applique Vintage
Used Staple Art
Mid Century Fragment
Vintage Spin Art
Mid Century Snail
Vintage Applique Patterns
Hmong Vintage
Vintage Hmong Textiles
Agam Kiddush
Asplund Rug
Basquiat Test Pattern
Bob Kane Batman Signed
Bombay Pottery
Elsa Morante
Eric Stanton
Gawaine Dart
Gerhard Taubert
German Pottery With Triangle Mark