Vittorio Rieti

Lot of 2 Autograph Letters Signed by Vittorio Rieti - 1940s

1940s

This lot is composed of 2 Vittorio Rieti's Autograph Letters Signed to the Countess A.L. Pecci-Blunt, written in Italian, during the 1944. Excellent con...

Italian Art in NY – A.L.S. is a Autograph Letters Signed by Vittorio Rieti to the Countess A.L. Pecci-Blunt. Paris, May 10th 1947. In Italian. Onepage...

Spring-Concerts Report is the main content of this Autograph Letter Signed by the Italian composer Vittorio Rieti to the Countess A. L. Pecci-Blunt. Paris, March 27th, 1936. In Ital...

2 Autograph Letters Signed by Carla Gronchi (1912-1993), the first lady of the Italian President Giovanni Gronchi (1955-1962), to the Countess Pecci-Blunt. A.L.S. Rome, October 14th 1955. In Italian. One page, single-sided. Excellent condition, including original envelope; A.L.S. Rome, April 27th 1957. Two pages, single-sided. On letterhead paper "Carla Gronchi". Excellent condition, including original envelope. Interesting letters in which the fist lady thanks for the pleasant visit at the Countes'' Royal Villa in Marlia and. In the second autograph Carla Gronchi has to decline the Countess's worldly invitation to t a classical music concert. Countess Anna Laetitia Pecci-Blunt (Rome, 1885 - Marlia, 1971) Best-known as "Mimì" Pecci-Blunt , the Italian noblewoman was an art collector, patron and nephew of Pope Leo XIII. Extremely volcanic, she was very active in the cultural field, opening numerous lounges, galleries and theaters. In 1919 she married Cecil Blumenthal, later changed to Blunt, a wealthy Jewish banker from New York, heir to an important collection of nineteenth-century French painting. His Parisian and Roman salons was attended by artists and intellectuals of the caliber of Salvador Dalì, Paul Valery, Poulenc, Paul Claudel...

Two one-page letters on Faber & Faber stationery, SIGNED by T. S. Eliot. The first, dated 1 December 1949 is double sided, 10 1/4 x 8 inches (266 x 204 mm) in envelope 4 1/4 x 5 1/4 inches (110 x 133 mm). The second is dated 23 August 1950, one sided, 8 x 6 7.8 inches (204 x 174 mm) in envelope 4 1/4 x 5 1/4 inches (110 x 133 mm). Typed in black and red ink, central vertical and horizontal folds, with no sign of wear. The accompanying envelopes show minor signs of wear and the back flap of the first envelope is partially torn. Fine. These two typewritten letters were addressed to Robert Cecil Bald (1901 – 1965), an Australian scholar of English Literature, who taught at Cornell University starting in 1937 and then at the University of Chicago from 1952 to 1965. They attest to a cordial exchange between a poet and a scholar, and the rich network of contacts that Eliot had both as an author and as the long-time editorial director at Faber & Faber in London (1925-1965). In the first letter, dated 1 December 1949 with a Cornell University address, Eliot declines an offer...

Original Peter Gee (1932-2005) British envelope postmarked Dec 14, 1963 Envelope Sz: 11 3/4"H x 16 1/4"W Frame Sz: 15"H x 20"W w/ gilt bamboo frame Peter Gee (1932–2005) was a British-born artist and developer who spent most of his life living and working in New York City. He was active in the pop art movement of the 60s. Biography: Gee was born on July 23, 1932 in Leicestershire, England. He was interested in drawing as a child and worked as a graphic designer for the British army when he joined at the age of 18. By the end of the 50s, he had exhibited at the Denise Rene Gallery in Paris, where he lived briefly, and the Axiom Gallery in London. He came to the US in 1962. Throughout the 60s, Gee experienced a high degree of success as a pop artist in Manhattan. His work from this era has been collected by The Museum of Modern Art in both New York City and Kyoto, The Smithsonian and the Library of Congress in Washington DC, and The Victoria and Albert Museum in London. Gee exhibited with Andy Warhol and Robert Indiana for the "Word and Image" show in 1968 at the Museum of Modern Art. During this time, he was also teaching classes at the New School, the School of Visual Arts, and the Harvard Architectural School. Gee formed his close friendship with fashion designer Betsy Johnson...

María Noël was born in Buenos Aires, Argentina, on November 25th, 1965. She studied Fine Arts at the Prilidiano Pueyrredón Higher School of Fine Arts, in Buenos Aires. She also studied philosophy and art history at the Philosophy and Literature School of the University of Buenos Aires. She was a regular student with prestigious Argentine artists Aurelio Macchi, Alberto Delmonte and Luis Barragán, who all left the deepest imprint. A tireless traveler, she has visited countries in the East and the West. In 1989-1990 she lived in Naples (Italy) and Milan. During a stay in Cairo in 1990, she learned techniques for paper manufacturing and the use of vegetable dyes. A daughter and a granddaughter of Argentinian writers, literature is a main character in her work. She has series of paintings and collages dedicated to J. L. Borges, Octavio Paz, Juan de la Cruz, Paul Valery and Fernando Pessoa...

Presenting A Very Important Teddy Roosevelt Letter from White House June 1907. On ‘The White House’ letterhead. Typed and personally signed and amended by President Theodore Roosevelt. With it’s original White House envelope, stamp and postage marks. Dated June 14th 1907. What makes this letter so important is the author, the office and the content. It refers to the beliefs and opinions of the then President and First Lady (Edith) towards the women’s sufferage and empowerment movement that was the ‘hot topic’ of the time. It is addressed to Eliza Calvert Obenchain who was a well known author at the end of the 19th Century and Early 20th Century. In 1905, Teddy referred to her book “Aunt Jane of Kentucky’ in a speech and recommended that every man in America should read it to understand ‘the plight of their womenfolk’. He regularly corresponded with her and we have a number of those letters in our collection. It appears that both he and Edith became big fans of Mrs Obenchain who was also heavily involved in the Suffragist movement. The letters also provide a fascinating and historic record of Roosevelt’s personal beliefs and feelings on female empowerment. The Letter Reads: The White House Washington Oyster Bay, N.Y., June 14, 1907 Personal “Dear Mrs. Obenchain: I gladly accept the autographed copy of “Aunt Jane” which you have been so kind to send me. But Aunt Jane is so good and so wise that she must not (amount “race (illegible)) fall into the terrible mistake of the self-indulgent, selfish, shortsighted women, cold in heart and in temper, who shirk the duties of mother-hood and then try to cover up to themselves and to others their cowardice or self-indulgence by making believe they are actuated by wise or lofty motives. * With great regard, believe me, Sincerely yours, Theodore Roosevelt *And she must not give aid and comfort to unsexed or sexless creatures by a jest which they may take for earnest ! Mrs. Eliza Calvert Obenchain, Bowling Green, Kentucky.“ The envelope is From: The White House. Addressed to: Mrs. Eliza Calvert Obenchain, Bowling Green, Kentucky and marked ‘Personal’. It is stamped on the front as posted from Oyster Bay, New York Post Office on June 16 1907. It has a red 2 Cent...