Yitzhak Greenfield

Kibbutz Abstract Jerusalem Nightscape Israeli Tempera Collage Painting Judaica

1967

Shawn Dulaney The Virtues IV Handmade paint on venetian plaster on paper, signed and titled verso 22 x 30 in. (sheet), 28 1/4 x 36 1/4 in. (frame). Shawn Dulaney’s paintings are layered constructions of color, spacious abstractions that read like cloud banks, flows of water, magnetic fields charged with monumental energy. Dulaney spent her childhood on a vast Colorado plateau looking west to the Rocky Mountains and has travelled widely, immersing herself in landscape. Her work captures the experience and feeling of place. Doug McClemont of ArtNews writes that Dulaney’s paintings “concern the earth, and the unyielding hand of nature”. Her work has been described by William Zimmer of The New York Times as belonging to “a very strong tradition, that of 19 th -century Northern European Romanticism in which nature was seen as corresponding to human emotional states.” He says of her work, “Ms. Dulaney makes it clear that her inner life is very much a part of each painting, and this alone distinguishes it from most abstraction…Shawn Dulaney is deliberately out for grandeur, but she is also out for intimacy. Her paintings take advantage of their innate ambiguity and declare themselves to be very current in the thinking that lies behind them.” "The kind of painting to which Ms. Dulaney's work is most closely related, at least superficially, is the Mark Rothko branch of Abstract Expressionism, in which a sense of deep space is sought." Dulaney makes handmade paints consisting of acrylic medium and powdered pigments allowing her to get a wide range of saturations and transparencies as they spread out on Venetian plaster and linen over panel. “Her surfaces”, as described by Dominick Lombardi-also of The New York Times, are “exquisitely painted and a pleasure to see.” Dulaney continues to travel between New York, the American Southwest, and the United Kingdom, as well as having recently been awarded the Pink House Artist Residency on the Beara Peninsula in Ireland. Her paintings capture the ephemeral and evoke the Celtic notion of a “thin place”, a place of energy where the veil between this world and the eternal is thin. A working artist for over 4 decades, Dulaney is represented by Sears Peyton Gallery, Weber Fine Art, Carrie Haddad Gallery and Beth Urdang Gallery. Exhibited widely, her paintings can be found in extensive public and private collections including those of the Hunterdon Museum of Art in NJ, the Venetia Resort in China, J Crew in NYC, as well as in the private collections of author Annie Proulx, actor Steve Buscemi, talk-show host Conan O’Brien and musician Stuart Copeland. Her work has appeared in episodes of TV’s Enlightened, Portlandia and Sex & the City, and the films It’s Complicated (2009), Interview (2007) and John Wick...

Shawn Dulaney The Virtues III Handmade paint on venetian plaster on paper, signed and titled verso 22 x 30 in. (sheet), 28 1/4 x 36 1/4 in. (frame). Shawn Dulaney’s paintings are layered constructions of color, spacious abstractions that read like cloud banks, flows of water, magnetic fields charged with monumental energy. Dulaney spent her childhood on a vast Colorado plateau looking west to the Rocky Mountains and has travelled widely, immersing herself in landscape. Her work captures the experience and feeling of place. Doug McClemont of ArtNews writes that Dulaney’s paintings “concern the earth, and the unyielding hand of nature”. Her work has been described by William Zimmer of The New York Times as belonging to “a very strong tradition, that of 19 th -century Northern European Romanticism in which nature was seen as corresponding to human emotional states.” He says of her work, “Ms. Dulaney makes it clear that her inner life is very much a part of each painting, and this alone distinguishes it from most abstraction…Shawn Dulaney is deliberately out for grandeur, but she is also out for intimacy. Her paintings take advantage of their innate ambiguity and declare themselves to be very current in the thinking that lies behind them.” "The kind of painting to which Ms. Dulaney's work is most closely related, at least superficially, is the Mark Rothko branch of Abstract Expressionism, in which a sense of deep space is sought." Dulaney makes handmade paints consisting of acrylic medium and powdered pigments allowing her to get a wide range of saturations and transparencies as they spread out on Venetian plaster and linen over panel. “Her surfaces”, as described by Dominick Lombardi-also of The New York Times, are “exquisitely painted and a pleasure to see.” Dulaney continues to travel between New York, the American Southwest, and the United Kingdom, as well as having recently been awarded the Pink House Artist Residency on the Beara Peninsula in Ireland. Her paintings capture the ephemeral and evoke the Celtic notion of a “thin place”, a place of energy where the veil between this world and the eternal is thin. A working artist for over 4 decades, Dulaney is represented by Sears Peyton Gallery, Weber Fine Art, Carrie Haddad Gallery and Beth Urdang Gallery. Exhibited widely, her paintings can be found in extensive public and private collections including those of the Hunterdon Museum of Art in NJ, the Venetia Resort in China, J Crew in NYC, as well as in the private collections of author Annie Proulx, actor Steve Buscemi, talk-show host Conan O’Brien and musician Stuart Copeland. Her work has appeared in episodes of TV’s Enlightened, Portlandia and Sex & the City, and the films It’s Complicated (2009), Interview (2007) and John Wick...

Colorful mid century vibrant abstract scene of boats in harbour. Signed and titled in Hebrew recto and titled and signed in Hebrew and English verso. Joseph Weiss, Painter, Sculptor, Woodcuts. b. 1916, Romania. Immigrated 1939 to Israel. Member of Kibbutz Evron. Studies: Klug, Romania, painting and graphics; advanced studies, Oranim Art Institute, Tivon; with Dada founder Marcel Janco and Zvi Mairovich. He was a Romanian-Austrian-Israeli painter producing mainly color woodcuts and sculpture, who was born at Romania in 1916. The First Exhibition of Israeli Graphic-Art, Museum for Modern Art, Haifa. 1967 Artists: Micha Ullman, Jakob Steinhardt, Jacob Pins, Noemi Smilansky, Miron Sima...

Edward Avedisian ( 1936-2007 ) 8 X 9 Oil paint on wood plank panel with gold and purple figure This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...

Shimon Avni Shimon Avny, painter, born 1932, Paris Shimon Avny (Stein) was born in Paris, France. He grew up in the Belville neighborhood. In 1942, when the Nazis occupied France, he was separated from his family. His mother and brothers were killed in the Holocaust. After the war, he was transferred from his hiding place to the town of Andlis. He immigrated to Israel with Youth Aliyah in 1948. In 1956, he joined Kibbutz Ra'im. In 1957, he studied painting with Joseph Zaritsky, Avigdor Stematzky and Haim Kiewe. He also studied with Yehezekel Streichman at the Avni Institute. At the end of the 1950s, he went to Paris to continue his studies. In the 1980s, he joined the Radius artists cooperative. Avny's early work was influenced by the abstractionism of the New Horizons group. In 1963, he took part in the group's exhibition at Ein Harod. His work is characterized by bold colors, expressive brushstrokes and flat planes. He is a figurative painter, but some of his work incorporates symbolic imagery. Education 1957 Painting with Joseph Zaritsky, Avigdor Stematsky and Haim Kiewe Avni Institute, Tel Aviv, with Yehezkel Streichman Grande Chaumiere Academy, Paris, 1958 Ecole des Beaux Arts, Paris, 1961 Fine Arts Academy, Rome Photography and television, Paris, 1965-67 Teaching Lectured abroad for the Ministry of Education and Culture, 1969-71 Bezalel Academy, Jerusalem, painting, 1974-78 College of Visual Arts, Beersheba, 1975-81 Headmaster of the Art Institute, Rehovot, 1975-85 1981-85 and 1988-92 Art Teachers College, Ramat Hasharon Since1992 Avni Institute, Tel Aviv, Teacher and coordinator of the Arts Department Awards And Prizes 1975 The America-Israel Cultural Fund Scholarship 1985 Scholarship, The Cité Internationale des Arts, Paris, France 1993 The America-Israel Cultural Foundation, Sharett Fund Scholarship for a Young Artist. A member of the Aclim Group, which was organized in 1974. The group was established in the wake of the Yom Kippur War to point to the necessity of raising the public's consciousness of its Israeli identity in all cultural spheres. Participants in the group's exhibitions until 1983 were: Eliyahu Gat, Rahel Shavit, Ori Reisman, Avram Rafael, Michael Gross, Hannah Levy...

Edward Avedisian ( 1936-2007 ) 7 X 13 Oil paint on wood panel with pink, red and green abstract. This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...

Highly energetic and abstracted garden flowers and the hint of a figure emerge from this abstract expressionist explosion of color and form, by Dana Wegter (American, 20th-21st Century), 2000. Signed and dated "Dana Wegter '00" lower right. Displayed in a bright yellow mat...

Eugene Camille Fitsch Am./Fr., 1892-1972 - Signed lower right. Framed dimensions 20 3/4" x 34 7/8" framed Provenance: Studio of the Artist to Private Collection Boston, Massachuse...

Mid Century Abstract Original Painting - Blue Calligraphy on Crimson Water in Oil and Tempera on Paper Wonderful Bay Area abstract composition by San Francisco's artist Honora Berg ...

Vintage Original Abstracted Landscape Silk Screen on Rice Paper Dramatic non-objective and abstracted landscape silkscreen in black india ink and neutral Casein paint tones. Unsigne...

"Autumn" by Katheryn Holt is a 60" x 40" mixed-media panel that radiates the warmth and depth of the fall season. This abstract expressionist work transitions smoothly from a rich, v...

"Sunset in Florence" is a striking 20" x 28" abstract expressionist landscape by the renowned artist Masri, offering a rich tapestry of color and motion. The canvas is a medley of mo...