Andrea Bonfils

Fishing Lines

2018

Nautical Nights utilizes blue and white oil paint which is buffered together, creating an illusion of a cloudy sky. Serene yet moody blues, blacks, and gold tones are layered within ...

Encaustic and oil with acrylic frame 1/1 The contrasting deep blues and bright reds underlying a lattice of wax are reflective of the topography of a natural landscape. The fluid mo...

Series: Santa Fe Day 1/1 Oil And Encaustic With Silver Floater Frame Size: 36" x 47" (91.44 x 119.38 cm) with silver floater frame Using unconventional hardware - a blow torch, i...

Series: Woven Woods Encaustic and Oil Shellac With Silver Floater Frame Size: 30" x 40" Using unconventional hardware - a blow torch, iron and other heated tools - along with pape...

Series: Many Moons Andrea’s encaustic Many Moons encompasses warm, soothing tones whilst complemented by darker tints of indigo and a splash of yellow. The color combinations break ...

Series: Untitled 1 Encaustic and Oil On Wood Panel Size: 30" x 40" Using unconventional hardware - a blow torch, iron and other heated tools - along with paper, encaustics, photog...

Grey object, Series Urns nr 20 and 21, 2000 Krzysztof Gliszczyński, Oil, encaustic, marble dust, pigments, ash on wood, Plexi, 100x70 cm Artist Statement In the 1990s I started co...

Abstract encaustic painting with dyed teal, indigo, beige, and white dyed fabrics "Blue Ochre & White Lies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 16 x 20 inches, 17 x 21 inches framed Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Abstract encaustic painting with dyed teal, indigo, white and beige fabrics "White Breezes & Blue Skies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 17 x 26 x 2 inches unframed, sides reveal raw panel and wrapped fabric Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Abstract geometric encaustic painting in patterned ochre on white "Centuries Spliced Open" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & monotype mounted on panel 30 x 41 x 2 inches, sides reveal raw wood sides Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with pattered ochre monotypes on an encaustic white background. The paper, which is adhered to a light wood Birch panel and layered with a subtle layer of encaustic, is arranged in a geometric motif that accentuates the play of negative space. The layered paper and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Martin Rosenthal "House with Yellow Windows" c. 1960s Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosent...

Martin Rosenthal "Bright Shapes" 1965 Encaustic & Oil paint on paper 19"x13" unframed Signed and dated in ink lower right *Custom framing available for additional charge. Please exp...