Armand Szainer

Abstract mixed Media Collage Vibrant Painting

American Artist 1922 – 2012 Served his country as a Sergeant in World War II, both stateside and in the Philippines. After the war, native Chicagoan Ronald Ahlström graduated from the School of the Art Institute, He became a prominent Abstract Expressionist collage assemblage maker working in a style similar to some of the New York school assemblage artists such as Robert Goodnough. Utilizing cutout letters in a concrete poetry style. He frequently exhibited his collages and paintings in the Chicago and Vicinity exhibits of the 1950s and 1960s. He worked as the curator of the Tacoma Art Museum in Tacoma WA during the early 1960s. He showed at Exhibition Momentum in the ’60s, and was selected for the Corcoran Biennial. Together with his colleagues and fellow-abstractionists Robert Nickle, Morris Barazani, Harry Bouras, George Kokines, and George Waite, he exhibited at McCormick Place in an independently produced survey of contemporary Chicagoans, circa 1962, under the banner 12 Chicago Artists. An adept and sensitive painter, Ahlström’s most personal work is as an abstract expressionist collage maker. Using strips of paper, sometimes weathered and beaten into rough hewn surfaces, he creates immaculately layered, lively, gestural compositions. He was the recipient of many art awards and prizes throughout his long career. His works are part of numerous private, corporate and museum collections. His work was published in many national and international art publications including Who's Who in America and Who's Who in American Art. he taught art at both high school and college level. His other passions included history, literature and music. He was an accomplished base fiddle and guitar player and often played professionally in clubs during the late 1940s and 1950s. In 1958, he was awarded the William H. Bartels Prize of five hundred dollars at the Art Institute of Chicago. Education: Art Institute of Chicago University of Chicago DePaul University Exhibitions: Art Institute of Chicago Annuals, Corcoran Biennial in Washington DC, 12 Chicago Artists 50 Chicago Artists European Exhibit at the US Information Agency Collage and Construction, Hyde Park Art Center, Chicago Tacoma Art Museum, Washington Henry Gallery, University of Washington, Seattle 50th Northwestern Annual, Seattle Art Museum, Chicago Invitational, University of Illinois One Man Exhibits: Rockford College, Rockford Il. Barat College, Lake Forest Il. Rodger Wilson Gallery, Chicago, Il. Touchstone Gallery, New York, NY. Joseph Faulkner, Main Street Galleries, Chicago, Il. Zriny Galleries, Chicago Il. Awards: Clyde Carr Prize, Art Institute of Chicago William H. Bartels Prize, Art Institute of Chicago James Broadus Clark Prize, Art Institute of Chicago Alumni of Art Institute Prize Singer and Sons Prize, Navy Pier, Chicago Abel Fagan Prize, Festival of Fine Arts, Lake Forest, Il. Ford Foundation Purchase Prize, Seattle, Wa. Collections: Art Institute of Chicago Barat College Tacoma Art Museum, Wa. Phibrook Art Center, Tulsa, Ok. Blue-Cross Collection, Chicago, Il. Atlantic Richfield Collection Illinois Bell Telephone Collection Container Corporation of...

Perez Celis (American, Argentinian 1939-2008) Oil and mixed media on canvas 1993 Latin abstract expressionism oil painting depicting a color block and drip motif Hand signed and dated to lower left. In gilt gold frame. Approximate dimensions: canvas h. 14", w. 21"; frame h. 24", w. 31", d. 2.25". Celis Pérez (1939 – 2008) was an Argentine artist usually referred to as Pérez Celis. He earned international recognition for his paintings, sculptures, murals and engravings. Pérez was born in San Telmo on the South side of Buenos Aires, and grew up in Liniers, on the opposite end of town. Working as a newsboy during childhood, he learned the basics of drawing and painting via correspondence classes. In 1954 he entered the Manuel Belgrano National School of Fine Arts, and under the guidance of teachers like Leopoldo Presas, Santiago Cogorno, and Libero Badii, Pérez Celis developed his interest in abstraction. He first exhibited at age 17, at Galería La Fantasma. Following his entry into the professional arts world, he began using his name in a reversed form. At the start of his career he has been influenced by Hungarian artist Victor Vasarely during a 1957 retrospective of the latter's works at the National Fine Arts Museum. Some of his later works bear the influence of Gerhard Richter. He married Sarah Fernández in 1959 and relocated to Uruguay for less than a year invited by Carlos Páez Vilaró . Took part in the "Group of 8" – proponents of abstract art among the normally conservative local audiences. "Grupo de los 8", was a movement of Latin American, Uruguayan and Argentine artists formed in 1958 together with Oscar García Reino, Miguel Ángel Pareja, Raúl Pavlovsky, Lincoln Presno, Américo Sposito, Alfredo Testoni and Julio Verdie in order to promote new tendencies in painting. In 1960 they were invited by art critic Rafael Squirru to join the international exhibition at the Buenos Aires Museum of Modern Art (of which he was creator and first director) with artists such as Willem de Kooning, Roger Hilton and Lucio Fontana. He returned to Buenos Aires in 1960, and opened a downtown atelier with the support of Guido Di Tella, his first mecena. Pérez Celis explored geometric art, and builds his first mural, Fuerza América, in 1962. Indigenous patterns and colors would reappear in many of his productions during the 1960s and 1970s, and distinguished him from most other local artists, among whom pop art and figurative art was more influential. His work had a more raw, Art Brut , Brutalist feel to it. He was featured in more than 120 solo shows during his career, notably the Galerie Bellechasse, Anita Shapolsky Gallery New York, (he showed with Agustin Fernandez, Rodolfo Abularach, Giancarlo Puppo and Cuban artist Mario Bencomo) Arteconsult, Boston & Panama, Witcomb, etc. and his art was purchased for many private collections and first-rate museums, including the Museum of Modern Art in New York. He received commissions from the Argentine government, which placed his works in the Ministro Pistarini International Airport, from other governments, and from prominent individuals and businesses. In 1977, following his wife's passing in an automobile accident he remarried and lived in Caracas, Paris, New York City, and Miami in subsequent years. He shared his time between Buenos Aires and New York in 1994, a retrospective of his work was hosted at Biblioteca Nacional visited by more than 300000 persons. He continued exhibiting in Latin America, in the Sanyo Gallery in Tokyo, the Anita Shapolsky Gallery in New York City, and at numerous universities. Among his numerous recognitions in later years was the Alba Award at the 61st Salón Nacional de Artes Plásticas Argentino, and he was proclaimed a Distinguished Citizen of the City of Buenos Aires in 2001. He also created several literary illustrations, notably those for Jorge Luis Borges' Spanish-language translation of Walt Whitman's poem Leaves of Grass. A fan of the Club Atlético Boca Juniors football team, he created two murals in 1997 for the team's La Bombonera Stadium in Buenos Aires: "Idolos" (Idols) and "Mito y Destino" (Myth and Destiny), both Venetian mosaics and bronze sculpture on cement. Museum of Modern Art (MOMA), New York, NY Museum of Modern Latin American Art...

The artist made frame is made of yardsticks., This is a mixed media painted assemblage incorporating a sock. José Ramón Lerma, an abstract landscape painter from the Salinas Valley and one of the first Chicano artists to attend a formal art school. A member of the Beat Generation, Lerma was among the small group of Hispanic Chicano artists who emerged out of post-War San Francisco studying with Hassel Smith, Edward Corbett and James Budd Dixon at the California School of Fine Art in the early ‘50s, he hung a show at Spatsa gallery in 1959. Lerma immersed himself in the San Francisco that was the home of Beat Culture and an important center for Abstract Expressionism. Lerma's peers include Wallace Berman, George Herms, Roy De Forest, Bruce Conner, Manuel Neri, William T. Wiley, Luis Cervantes and Jay DeFeo. He was integral to the burgeoning gallery scene in San Francisco in the early 60's having solo exhibitions at seminal gallery spaces the East-West Gallery, The Cellar, Spatsa Gallery, Russian Hill Gallery and most recently a major retrospective of his paintings, collages and constructions from 1954-2000 was held at Intersection for the Arts. Lerma has also participated in numerous group exhibitions including the Oakland Museum, The San Francisco Museum of Art, The Sonoma County Museum, Galeria de la Raza, Gallery Sanchez, Somar Gallery, Mission Cultural Center, Richmond Art Center, La Raza Graphics Center, and the Walter and McBean Galleries at SFAI. His work has also been exhibited nationally including the Chicago Museum of Contemporary Art, Museum of Albuquerque, Los Angeles Municipal Art Gallery, Evergreen State College, and Tuscon Museum of the Arts. Lerma lives and works in Oakland, CA. Born April 13, 1930 Hollister, California (San Benito County) 1954-1958 Attended California School of Fine Arts Scholarship and G.I. Bill Bachelor’s of Fine Arts 1958 San Francisco, California 1951-1953 U.S. Army Medical Corp & Intelligence 223rd Regimental Headquarters, 40th Division, Korea 1950-1951 Attended California School of Fine Arts (S.F. Art Institute) San Francisco, California 1948 Received scholarship to California School of Fine Arts (S.F. Art Institute) San Francisco, California SCHOOLING California School of Fine Arts, later to become the San Francisco Art Institute in San Francisco, California. served in the United States Army from October 1951 to August 1953. 1954-1958 Design Instructors: Dorr Bothwell Painting Instructors:Roger Barr, Elmer Bischoff, Ralph DuCasse and Ralph Putzker Color and Composition Instructors: Jean Varda...

Chihung Yang American (b. 1947) Untitled (Black and Brown Composition) (1986) Mixed media (acrylic, pastel) on paper Hand signed lower right Sheet 38 x 50 inches, frame dimensions: 45 x 57 x 2 inches, wood frame with glazing Provenance:= From a Corporate Art Collection Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist. Yang Chi-hung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended the National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. His pioneering works soon landed him the “Outstanding Asian-American Artist” award. The concept and style of abstract expressionism as represented by the works of Jackson Pollock in the 1950s had great impact on Yang’s work. With the sense of nihilism that gave rise to abstract expressionism in the post-war period, artists no longer clamored to depict the external environment, but rather chose to focus on their own inner experience. Yang Chihung embraced this spirit about the early 1990s when his style turned abstract. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1. In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists. He is of the generation of artists such as Chen Tingshi, Liang Yifeng, Yang Yuyu, Pang Jiun, Yinhui Chen, Jui-Ling Hung, De-Jinn Shiy, Yong-ik Cho, Wan Chuan Chang, Kuosung Liu, Sanlang Yang, Chetsai Shen, Fu-sheng Ku, Chunxiang Zhao, Ming Ju, Ming-Che Huang, Jiutong Liu, In-Ting Ran, George Chann, Yi Hong, Tzu-Chi Yeh, Max Liu, Yi-Hsiung Chang, Che Chuang Awards and recognition 1989, Outstanding Asian American Artist Award, by Governor of New York 1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York SELECTED GROUP EXHIBITIONS 1969 Contemporary Young Artists Exhibition, U. S. I. S. Lincoln Center, Taipei, Taiwan 1974 Asian Contemporary Art Exhibition, Ueno Museum of Art, Tokyo, Japan 1977 10 Chinese Leading Artists, Metropolitan Museum of Art, Tokyo, Japan 1978 Contemporary Chinese Art from Taiwan, Hong Kong Arts Centre, Hong Kong 1978 International Exhibition of Prints, National Museum of Modern Art, Seoul, South Korea 1979 6th British International Print Biennial, Bradford Art Galleries and Museum, England 1980 4th Miami International Print Biennial, Metropolitan Museum Coral Gables, Florida 1982 Summer Invitational, Susan Caldwell Inc, New York City 1982 Four Artists, SoHo Center for Visual Artists, New York City 1983 New Acquisitions and Trustee's Choice, The Aldrich Museum of Contemporary Art, 1983 Cleveland (UK) 6th International Drawing Biennale, Middlesbrough Art Gallery, England 1983 Dreams Demons Madness, Alternative Museum, New York City 1984 Rambunctious, Siegel Contemporary Art, New York City 1984 Invitational Painting Exhibition, Part II: Eight Imagist Painters, Siegel Contemporary Art, NYC 1984 Salvo, Ruth Siegel Ltd, New York 1984 Modern Art, Ted Greenwald Gallery, New York City 1985 Exotica, Paintings and Works on Paper, Stephen Rosenberg Gallery, New York City 1985 The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, CT 1985 Large Figurative Drawings...

This one is not signed but it came from the estate of the artist. Nick de Angelis (June 21, 1921 – 2004) was an American artist who lived and worked most of his life in New York City...

Tom Alan Lieber, (American, born 1949), GTW TL-11 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, N....

Original piece, ,mixed media circa 2003. signed dry mounted 50cmx50cm. painting 32cm x 32cm. Plein air study from the portfolio of his travels in Sardinia. Chosen by the artist to e...

Wiltshire' , circa 2003. Glazed oak frame 52cm x 72 painting 35cmx 5cm. Signed mixed media . Watercolour, pencil , felt tip pen.

Fine piece painted at Glastonbury Festival .Mixed media signed. An amalgamation of experience in time and place. Dry mount 50cmx 50cm painting 32cm x 32cm

Abstract landscape painting by British contemporary artist Alanna Eakin. Alanna Eakin (b.1988) is a British painter. She lives in London and works from her studio in Wimbledon. Gra...

Author: Tang Chenghua Title:Series The Exotic Landscape No.22-7 Date: 2022 Medium: Mixed Media Dimension: 49 x55 cm About Tang Chenghua Tang Che...

Author: Tang Chenghua Title:Series The Exotic Landscape No.22-7 Date: 2022 Medium: Mixed Media Dimension: 72 x 60 cm About Tang Chenghua Tang Ch...