Recollection 11 (Stony Creek), red and pink abstract painting on panel
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Barbara MarksRecollection 11 (Stony Creek), red and pink abstract painting on panel2016
2016
About the Item
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2006
1stDibs seller since 2013
147 sales on 1stDibs
Typical response time: 5 hours
Associations
Association of Women Art Dealers
More From This SellerView All
- Disintegrating (with a Measure of Grace), abstract geometric painting, dotsLocated in New York, NYGouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
- Mixed Squares, abstract geometric painting, gridLocated in New York, NYGouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
- Finding a Way...Like Water, abstract geometric painting, dotsLocated in New York, NYGouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
- Green Bricks, abstract geometric painting, gridLocated in New York, NYGouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
- Brick Wall (in Need of Repair), abstract geometric painting, gridLocated in New York, NYGouache and graphite on handmade paper. 12 x 24 inches unframed, 16.25 x 28.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
- View from a Great Height, abstract geometric painting, dotsLocated in New York, NYGouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate SnowCategory
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Gouache, Handmade Paper, Graphite
You May Also Like
- Cherries, abstracted still life blue, white, fruit, brushworkBy C. DimitriLocated in Brooklyn, NYAbstract still-life. Oil over acrylic and gesso on panel.Category
2010s Abstract Still-life Paintings
MaterialsGesso, Oil, Acrylic, Wood Panel
- Original-Magic Bell in the Night-UK Awarded Artist-Botanical Abstract ExpressionLocated in London, GBIn her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsGesso, Canvas, Oil, Acrylic, Wood Panel
- Original-Magic Bell Morning Light-UK Awarded Artist-Botanic- Abstract ExpressionLocated in London, GBIn her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsGesso, Canvas, Oil, Acrylic, Wood Panel
- Original-Magic Bell in the Day -UK Awarded Artist-Botanical Abstract ExpressionLocated in London, GBIn her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsGesso, Canvas, Oil, Acrylic, Wood Panel
- Originals-Magic Bell Triptych-UK Awarded Artist-Botanical Abstract ExpressionLocated in London, GBTo Shizico, a triptych is a compilation of visual prayers; it embodies a meditative voyage akin to a form of meditation. For her, the repetition of motifs within the triptych serves ...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsGesso, Canvas, Oil, Acrylic, Wood Panel
- Still of Night Waits, Pulse of Water's TimeBy David A. DreyerLocated in Dallas, TX"The art I make does not tell a direct story, but prompts one to find things truly unseen. The works develop through intuitive improvisations, actions upon surface, and lines perpetu...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil, Graphite