Benjamin Terry

A Romantic Gesture I

2019

Amorphe Mythen #7 Mixed Media Amorphous Myths is a continuous series in which the techniques of painting and collage mix form an organic universe of abstract landscapes with figurat...

Currently exhibited in "Tyler Casey: Once Upon a Time" at Reeves Art + Design. “Once Upon a Time” unveils a collection that encapsulates the life experiences and distinctive viewpoi...

Currently exhibited in "Tyler Casey: Once Upon a Time" at Reeves Art + Design. “Once Upon a Time” unveils a collection that encapsulates the life experiences and distinctive viewpoi...

Currently exhibited in "Tyler Casey: Once Upon a Time" at Reeves Art + Design. “Once Upon a Time” unveils a collection that encapsulates the life experiences and distinctive viewpoi...

Cutwork is made of 2 ply museum board layered with acrylic ink silkscreen color blend. Though seemingly perfect and symmetrical at first glance, the original images are cut with no guide, defined by the authentic energy of the free hand cutting. The reverse-relief effect is achieved by first cutting what will become the top layer of paper, with each subsequent sheet layered and cut individually. About her process, Gregory-Gruen says, “It is visceral. A meditation. Imperfection is perfection.” CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper...

SHORT SPURTS 2021 Paris, France This piece is a visual interpretation of a poem the artist wrote around frenzied, short-sighted behaviors: “That part usually stays hidden. Those colors are not known for blending. Us? We come from a rib. And we tangle ourselves in the traps we set for our prey.” - Nicholas Evans The painting is composed of plaster, oil and acrylic, with the main detail shape, in white, positioned over wood glue, leaving a slightly raised effect. Embracing the unique imperfections of reclaimed objects aged over time, Evans uses antique found...