Brad Robertson

Untitled No. 27 by Brad Robertson, Vertical Color Field Abstract Painting

2020

Texture and depth are very important elements in Christina’s mixed media paintings. In addition to multiple layers of paint, Christina often creates marks with charcoal, pencil and o...

In Justin's own words: "While utilizing the landscape’s natural forms and textures, I draw upon visual cues from past encounters to achieve a balance between realism and abstraction....

"My torn paper shapes are put together like large remains of sculpture being reassembled. My initial thoughts are on pure shape. The unusual shapes coming together in their raw simpl...

"My torn paper shapes are put together like large remains of sculpture being reassembled. My initial thoughts are on pure shape. The unusual shapes coming together in their raw simpl...

Melissa Payne Baker spends her days chasing her dreams as an artist and her toddler son, both keeping her creativity in full bloom. Growing up in Mississippi she learned from generations of artists. She now lives in Georgia with her son, Payne. With a degree in Marketing from the University of Mississippi and a passion for interior design, her interests mesh together well. Melissa has perfected various color, medium and texture techniques to create her individual style shown in her work. Always creating, her new collections can be found in fine art galleries and fine interior boutiques across the Southeast. Melissa’s work is featured in the August 2015 VIE magazine, April 2015 Atlanta Interiors magazine, March 2015 Southern Lady magazine, February 2014 Traditional Homes and March 2014 Atlanta Homes & Lifestyles. She has been featured in many Atlanta publications including Creative Loafing, Cobb Life, Skirt Atlanta, The Atlantan, Southern Seasons and Jezebel. She was voted Atlanta's Best Emerging Artist 2010 in Creative Loafing, Best Atlanta Artist...

Texture and depth are very important elements in Christina’s mixed media paintings. In addition to multiple layers of paint, Christina often creates marks with charcoal, pencil and o...

Mid Century Textural Color-Field Abstract in Royal Blue-Purple by Peter Witwer A striking mid-century textural color-field abstract in a bold color palette of royal blue-purple by San Francisco artist Peter Witwer (American, 1928-1968). This highly textured mixed media piece, c.1960's, uses a monochromatic palette that is divided into two areas of varying textural depths. The lower part of the canvas verges on sculptural, as the textured surface becomes almost three-dimensional and haunting forms emerge from the abstract purple-blue plane. Unsigned. From a collection of the artist's works. Displayed in a painted wood slate frame. Frame has been painted by the artist and is considered part of the artwork. Linen size: 26"H x 22"W. Framed size: 27"H x 23"W x 1.2"D Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

"Untitled, 1975" by Claudia Sisemore, acylic on canvas, 41.5 x 50 inches, $4,800. "I have a vague idea of what I am going to paint. I read that many artists are inspired by an idea before they begin their work and plan their approach and process based on that idea or muse. Others become inspired after they have begun working and watching colors, shapes and designs form. I basically belong the second group. Usually, after painting begins in a loose, free manner, I become excited by certain colors and patterns and continue from there." -Claudia Sisemore -- Caudia Sisemore says she was teaching English when artist David Chaplin (an equally popular and influential teacher) was at Weber and initially got her into landscape painting. “Then he took me to a show at the Art Barn and Lee [Deffebach] was showing there [with Don Olsen...

CLEVE GRAY Three, 1989 Acrylic on canvas 57 x 79 inches

1960 Oil on canvas 34 x 50 in. (86.4 x 127 cm) Signed and dated, verso

2021 Oil on canvas 36 x 36 in. (91.4 x 91.4 cm) Signed and dated, verso

1974 Acrylic on canvas mounted on board 7 x 6 in. Titled and dated, verso Framed