Brian Bartlett

Tanganyika

2018

Brian said: ‘My paintings start with an idea, often of an image remembered, it might be a landscape, an interior or a still-life. As I paint, I try to reduce and simplify the image t...

Simon emphasises the simplicity of form and the contemporary interaction between the light with haunting tone and texture combined with emotion. These are a study of low light observ...

'This recent body of work is informed by my continuing research into the physical and metaphorical nature of archaeological artefacts and votive objects, allied to the referencing of...

framed in white wooden floater frame Andrew Kinmont: ”I have an overwhelming urge to create. This drive comes from deep within me, a need to explore an...

Lorna Holdcroft-Kirin was born in Surrey in 1967. She trained at Wimbledon School of Art where she was awarded the prize for drawing. In the late 1980s, Lorna studied at North East ...

This recent body of work is informed by my continuing research into the physical and metaphorical nature of archaeological artefacts and votive objects, allied to the referencing of the symbolic forms and materiality of alchemy. Central to this practical investigation has been the use of ‘gold’, and the qualities that the material, with its obvious chromatic and symbolic values, seems to possess. This has driven both the conceptual and pragmatic concerns within the evolution of this work. Gold is an alluring and complex symbol of many, often conflicting meanings, avarice, greed, wealth but also of purity and celebration, and has been used as the adornment of spiritual and religious iconography as a devotional act for millennia. The titles refer to connections I have made with the forms themselves, often when making a painting a word will emerge which acts as a form of poetic catalyst. ‘Parsival’ or Percivale/Peredur was the knight questing for the holy grail...

Blueprints in their essence represent a promise, a not fully actualized reality; they are future-gazing documents of urban progress. Tegeder’s work mines tenderly these two “worlds”,...

Blueprints in their essence represent a promise, a not fully actualized reality; they are future-gazing documents of urban progress. Tegeder’s work mines tenderly these two “worlds”,...

Blueprints in their essence represent a promise, a not fully actualized reality; they are future-gazing documents of urban progress. Tegeder’s work mines tenderly these two “worlds”,...

Blueprints in their essence represent a promise, a not fully actualized reality; they are future-gazing documents of urban progress. Tegeder’s work mines tenderly these two “worlds”,...

Blueprints in their essence represent a promise, a not fully actualized reality; they are future-gazing documents of urban progress. Tegeder’s work mines tenderly these two “worlds”,...

Blueprints in their essence represent a promise, a not fully actualized reality; they are future-gazing documents of urban progress. Tegeder’s work mines tenderly these two “worlds”,...