Carol John

'Oooh' - abstract - pattern - pop - botanical - bright colors

2022

This work on canvas is a mixed media abstract work featuring hues of blue, orange, and green. Framed in a natural wood floater frame measuring 20 by 16 inches. Evan is inspired by the works of Frank Bowling, Helen Frankenthaler, Candida Alvarez and Dorothy Hood. Atlanta-based artist, Evan Blackwell Helgeson’s recent body of work “I Know The Place,” is rooted in the exploration & abstraction of nature, combining the representational with the metaphorical & intangible experience of varied landscapes. Her mark-making aims to express the complex compounded layering of experience as we process varying circumstances, emotions & memories while in nature. “I Know The Place” explores the dichotomy & simultaneity of the cycles of nature & lived experience: as new things bloom, something is decaying; as new terrain is explored, a yearning for home grows. Travel in recent years to the Pacific Northwest & Hawaii have deeply influenced Evan’s work, & have come to intertwine with the layered marks & known gestures that express her own home. It has provided a unique contrast to these known environments & subsequent mark making, drawing unique parallels to the way we compile experiences that create our complex perspectives; interweaving memory & possibility to create new paths forward. "Traveling from the dense layers of the treeline where horizons are hidden, a desire to find a path out begins to grow," says Evan. "Similarly, the wide expanse & monolithic scale of the coastline displays the fullness of the horizon & the dizzying implication of new possibilities & the unknown. One does not negate the other, but rather they inform each other, recalling the cycle of being drawn out into new terrain, & receding deep into the comfort of home. An ebb & flow that creates dynamic balance." Evan Blackwell Helgeson is an Atlanta-based artist who works in painting, drawing, installation & ceramics. She received a BFA from the University of Georgia’s Lamar Dodd...

"Overland" features hues of pink, yellow, green, and blue. Marina Dunbar is inspired by the work of Paul Jenkins and Morris Louis. “I often think about painting in three dimension...

"Concertina Pageant" is an abstract painting featuring hues of red, green, orange, blue and white. Cynthia Knapp is inspired by the works of Joan Mitchell, Helen Frankenthaler and G...

"Wildflower" features hues of pink, yellow, orange, blue, green and purple. Marina Dunbar is inspired by the work of Paul Jenkins and Morris Louis. “I often think about painting in three dimensions, rather than two,” says Marina. “When engaging with the surface, I am considering how the arrangement and folds of the canvas will influence the composition.” Her process is as rooted in the physical construction of form as it is propelled by the medium’s inherent fluidity. The title of her exhibition – Fluent Form – refers to the practice of exploring opposing concepts, such as density and fragility, continuity and impermanence, within the same material. As one progression leads to the next, Marina studies the medium without premeditation, remaining sensitive to nuances within her process. Marina has introduced natural elements such as dry pigments and sand into these paintings. Sand is a physical object, yet its existence is a representation of the passage of time. It is the result of rock erosion, and it is a material that continually assembles into new patterns. In the Buddhist tradition, sand is used to convey beauty and ephemerality through the construction and subsequent destruction of mandalas...

Joy Walker (Canadian, b.1942) Pattern painting Acrylic on canvas, This is heavily textured acrylic with a sculptural quality to it Dimensions: approx. 12-1/2" x 12-1/2" Verso of each is signed and dated, Joy Walker / 1978 / Acrylic. Provenance: the Estate of Andre Zarre Sowulewski Joy Walker (1942– ) is a mixed media abstract painter born in Tacoma, Washington. Walker studied at the University of Oregon and Columbia University with art historian Meyer Shapiro. She also attended the New York Studio School with instructors Sidney Geist, Philip Guston, Alex Katz, and Esteban Vicente. Throughout Walker’s career, which began in 1970, she has exhibited at galleries in Canada and in the United States. Her work has subsequently been collected by Citibank and JPMorgan Chase banks. Joy Walker: 1970 - 1995: 25 Years, George Woodman New York, NY: 55 Mercer St. Gallery, 1995.Includes essays by George Woodman, Gary Michael Dault, Yvonne Lammerich, and Andre Zarre; Accompanied a 1995 exhibition. "One has the sense of peering through a sharp-edged hole in the wall at parts of some unknown visual expanse. In fact, implied continuation of a field is a constant in Walker's oeuvre, along with an emotive display of color held in check by powerfully graphic shapes, whether geometric or organic." Janet Koplos, Art in America, September 1995. Her work relates to the Pattern and Decoration art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" or as The New Decorativeness. The movement was championed by the gallery owner Holly Solomon. The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. These artists also looked for inspiration outside of the United States. The influence of Islamic tile work from Spain and North Africa are visible in the geometric, floral patterns. They looked at Mexican, Roman, and Byzantine mosaics; Turkish embroidery, Japanese woodblocks; and Iranian and Indian carpets and miniatures. They often retained the same 'flattening grid' frequently employed by Minimalist painters. There is a close connection between the Pattern and Decoration movement and the feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Artists included Valerie Jaudon, Joyce Kozloff, Robert Kushner, Susan Michod, Miriam Schapiro, Betty Woodman, and Robert Zakanitch. Joy Walker has been exhibiting paintings for thirty years. She is the winner of grants from the Adolph and Esther Gottlieb Foundation, Artists Space, Change, Inc., the Canada Council and the Ontario Arts Council and the New York Studio School. She exhibited at MoMA NY PS1 in 1980 along with Jaime Ardila, Allen Bertoldi, Catharina Cosin, Peter Downsbrough, Barry Feuerstein, Jasper Halfmann, Jene Highstein, Frances Hynes, John Massey, Dennis Oppenheim, Maura Sheehan, Bernard Tschumi, Joel-Peter Witkin. She has attended the following art colonies: Yaddo, MacDowell, Edward Albee, Millay, Byrdcliffe, Pouch Cove, Baie-Saint-Paul, Sheffield Lake, Cummington and Palisades Park. This work also bears the influence of Op Art and Kinetic Art Vasarely, Bridget Riley, Julian Stanczak, Anni Albers and Richard Anuszkiewicz, She showed at Andre Zarre Gallery including a solo show. This came from his collection of painting and sculpture. Andre Zarre Gallery showed Sonia Delaunay, Nassos Daphnis, Sari Dienes...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...

Contemporary large scale abstract floral painting by Texas based artist Wood Anthony Francher. Inspired by Mexican floral embroidery patterns and textiles, the work is a burst of bol...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...