Charlie Baird

Hilltop Afternoon, Blue and Green Landscape Painting, Dorset Landscape Painting

2020

Endless Fields is a contemporary artwork by emerging artist and painter Fleur Park. Fleur Park's art is influenced by the push and pull of her country life vs her old city life. The ...

Coastal Blue by Caroline Chappell [2022] original Oil on Canvas Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:2.5cm...

Hinksey Meadows with Astilbe [2022] original oil paint on canvas Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:3.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A wildflower meadow in Oxford. One of the few remaining ancient floodplain meadows, brimming with colour. Creamy white astilbe, purple burnet, yellow ladies bedstraw and m any other species add to the pretty display. Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist. She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball...

Summer Haze [2021] original Oil Painting on Deep Canvas Image size: H:80 cm x W:80 cm Complete Size of Unframed Work: H:80 cm x W:80 cm x D:4cm Sold Unframed Please note that insitu...

Large Merton Beds 4 by Elaine Kazimierczuk Original and hand signed by the artist Original Abstract Landscape Painting Oil Paint on Canvas Canvas Size: H 150cm x W 200cm Sold Framed in a White Float Frame (Please note that in situ images are purely an indication of how a piece may look). Elaine Kazimierczuk. This large dramatic oil painting was made as part of a landscape panorama which measures 7m across in total. Although the four pieces were made as a complete work, they are available separately. Any two, three or four panels may be hung together, preferably choosing those which keep the continuity of the image. This piece is the fourth panel on the right of the series. The work represents an area of the Oxford Botanic Gardens which has been planted with sustainability in mind. The result is a riot of colours of mixed species mostly drought tolerant. I adore the chaotic assemblage of beauty in these flower beds. They are extensive, so the work deserves this treatment on a large scale. Elaine Kazimierczuk artist is available at Wychwood Art. Elaine studied chemistry at university and taught for many years before becoming a professional artist. She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball...

Looking up through the tallest spring leaves to excitement 2 [2022] original Oil on Canvas Image size: H:120 cm x W:40 cm Complete Size of Unframed Work: H:120 cm x W:40 cm x D:5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This tree is one of two painted together as Emz loves to stand between them and look up. They seem to have grown in perfect harmony - each one making room for the other. This painting is part of a series called Look Up Trees. Emz spends time with trees daily to help her mind heal from PTSD in 2021. She has 'grown' over 140 trees in oil paint and digitally on her ipad. The mindful painting process she's established helps her to recognise and work through some difficult emotions. She's currently working on ways she can share these tools with others through a mindful sketching practice. Emily Finch, Artist, Painter is available with Wychwood Art. Emz has always been hugely inspired by the natural world, growing up on a farm in Wiltshire, South West England. At school, Emz was the art scholar and pushed the boundaries of what was possible in terms of scale and ambition for her art projects with her art teachers, making sculpture and installations which were deeply conceptual. At the age of 18, Emz became disabled overnight after a failed hip replacement and was left in a wheelchair. The decision was taken to abandon her dreams to go to art college, so she obtained a degree and went on to have a successful career in the City and then in TV, career highlights including working with David Attenborough on 7 productions. Emz found her painting again after her daughter was born in 2017. She embarked on a foundation at the London Fine Art Studios and won a scholarship to the Creative Visionary Programme in 2019. After hosting a sellout open house that same year, Emz spent the 2020 lockdown painting a series called #GreenLondon, celebrating the green spaces all around her in London. The paintings from this series were exhibited at my local David Lloyd gym at Raynes Park during COVID restrictions. Since 2020, Emz also has an active commission book selling gifts of landscapes that could not be visited during lockdown – these paintings helped people celebrate love, commemorate deaths and remember family time that was much missed. Since March 2021 Emz has been growing her forest of trees in memory of the losses, she suffered during the COVID-19 pandemic. She aims to use this work to raise awareness about mental health...

Amish Farmscape #3, 1984, oil on canvas, 40 x 30 inches, signed and dated lower right; signed, dated, and titled verso About the Painting Amish Farmscape #3 is part of a multi-painting series of barns completed in the early 1980s for an exhibition at New York’s prestigious Sid Deutsch Gallery. Lewandowski painted this work at an important point in his career. It was the first major project undertaken by Lewandowski after his retirement from serving as the Chairman of Winthrop University’s Art Department, the last academic position he held after teaching for nearly thirty years. Lewandowski had been inspired to work on the series by a visit to Lancaster County, Pennsylvania. Like his friend and mentor, Charles Sheeler, Lewandowski had always been fascinated by vernacular architecture and the Amish barns of Pennsylvania brought back memories of rural scenes Lewandowski had painted in the Midwest much earlier in his career. Amish Farmscape #3 is a strong example of Lewandowski’s late precisionist work. The complexity of the composition and Lewandowski’s technical acumen are on full display. Being relieved of the burdens of teaching and administering a university art department likely allowed Lewandowski greater freedom and most importantly more time to complete the Amish Farmscape series. Although Lewandowski’s brand of precisionism changed throughout the years, he never deviated from the core tenets of the Immaculate School artists. In this work, we see simplified and flattened forms, the use of ray-lines to define light and space, the elimination of extraneous details, a polished almost machine-like finish, and the complete lack of visible brushstrokes, all hallmarks of the precisionist painters. Lewandowski was the last of the 20th century precisionists and in Amish Farmscape #3, we see just how successfully he continued to work in this style until his death in 1998. About the Artist Edmund Lewandowski was among the best of the second-generation precisionist painters. He was born and raised in Milwaukee, Wisconsin and studied at the Layton School of Art with Garrett Sinclair. Lewandowski achieved early success when in 1936 two of his watercolors were shown at the Phillips Collection as part of a Federal Art Project exhibition. Then, in 1937, his work was first exhibited at Edith Halpert’s Downtown Gallery which represented Lewandowski into the 1950s. Under Halpert’s guidance, Lewandowski continued to explore watercolor as his main medium during the 1930s and 1940s, since the gallery already represented Charles Sheeler, who worked primarily in oils. Sheeler became Lewandowski’s major influence as the primary leader of the ill-defined, but very recognizable Immaculate School artists, which included other Downtown Gallery painters, Niles Spencer, George Ault, and Ralston Crawford, as well as Charles Demuth and Preston Dickinson, both of whom died at a young age and had been represented by the Charles Daniel Gallery. Sheeler is credited with giving Lewandowski technical advice on how to make his paintings more precise and tightly rendered and by all accounts, Sheeler was a fan of Lewandowski’s work. Through the Downtown Gallery, Lewandowski’s paintings were accepted into major national and international exhibitions and purchased by significant museums and collectors. Franklin and Eleanor Roosevelt and Nelson Rockefeller acquired works by Lewandowski. He was included in the Museum of Modern Art’s important 1943 exhibition, American Realists and Magic Realists as well as juried exhibitions at the Whitney Museum of American Art, the Pennsylvania Academy of Fine Arts, and the Art Institute of Chicago. Lewandowski also completed commissions for magazines during the 1940s and 1950s, including several covers for Fortune. Throughout his career, Lewandowski explored urban and rural architecture, industry, machinery, and nautical themes. Looking back on his career, Lewandowski wrote, “My overwhelming desire as an artist through the years has been to record the beauty of man-made objects and energy of American industry on canvas. For as far back as I can recall, the cityscapes, farms and depictions of industrial power and technological efficiency has had a great attraction for me. I try to treat these observations with personal honesty and distill these impressions to a visual order.” Lewandowski is credited with extending precisionism to the Midwest and successfully continuing the style into the 1990s, three decades after Sheeler’s death and six decades after Demuth’s passing. Late in his career, Lewandowski enjoyed a resurgence of popularity as he was represented during the 1980s by New York’s Sid Deutsch and Allison Galleries...

This beautiful oil-on-canvas painting was created by Francois Gentilini (1930 -). This is a small-scale oil painting by the well-listed French Modern painter Francois Gentilini. The ...

Warm night light 2006, oil on canvas, 140x160 cm Kristīne Luīze Avotiņa is a young and bright personality whose talent is appreciated not only in Latvia, but also in other parts of the world. Her deep inner experiences and feelings of the soul are not hidden from the eyes of the audience, but are openly and engagingly narrated: about relationships, man and woman, passion, emotions, about experience and connection with nature. Characters live in Kristine's compositional solutions, where figurative painting and ornament appear. When painting large-format works, she masters the entire format, composition and color of the work, as well as linear drawing. Kristīne herself emphasizes: "Relationships between nature and people - it has always been a relevant topic in my painting. The more I work on it, the more interesting it seems to me. It is infinite and unending. With paint I refresh the beauty of nature and love on the canvas and I want to show that nature and love are equal in their beauty. In my works, I always want to show that nature is beautiful and worthy of admiration - a newly blooming water lily, falling leaves from golden trees, a pink sunset sky... This could go on forever..." Education: 2009 – 2010 Studies in „Escola Massana”, Painting Department, Barcelona, Spain 2003 - 2009 Studies in Painting Department, Latvian Academy of Arts, Riga, Latvia 2003 – „Jaņa Rozentāla Riga Art College”, graduation work in photo design. 1999 - 2003 „Jaņa Rozentāla Riga Art College”, Riga, Latvia 1990 - 1999 „Riga French Lycee”, Riga, Latvia Solo exhibitions: 2010 – „1000 and 1 night” Barcelona painting...

Lake Oil on canvas, 50x71 cm Lidija Auza (1914. 24. 02 Vitebsk, Belarus – 1989. 13. 12 Riga, Latvia) Painter She studied at the Art Academy of Latvia (1936-1938) and graduated ...

Oil on canvas. Framed.

Oil on board. Framed. Signed. Exhibited at the Butler Art Institute.