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Christian Manoury'Suite de l'Après-Midi d'un Faune'. Abstract Expressionist Acrylic on Canvas.2019
2019
About the Item
Large contemporary abstract expressionist acrylic on canvas 'Suite de l'après-midi d'un faune' by French artist Christian Manoury. Signed, dated 2019 and titled to the reverse and presented in a custom made white tray frame.
A beautifully light and ethereal painting which catches the light and changes throughout the day. A calming piece to lose yourself in again and again inspired by the wonderful music of Debussy.
Born in Paris, Manoury studied Fine Art at the Grande Chaumière, Paris
Had his first show at Galerie Audouin, St Germain, Paris.
Spent the 80s and 90s working as a free-lance fashion designer for various luxury brands, travelling worldwide. Christian has always been interested in Art with a particular fascination for African and Papua New Guinean Tribal Art and has built up quite a collection over the years. He has also contributed to various prestigious collections.
In 1994 spent time as full-time painter in the Hamptons, under the wing of Larry Rivers.
This was followed by a period of designing furniture and more fashion, but Christian has always kept a studio wherever he lived (New York/Paris/London/Spain..) and enjoys painting whenever time allows. Today he paints full-time in the South of France where he now resides.
Christian says ; « Painting for me is COSA MENTALE »
Where the first paintings were figurative and subjective, searching for the meaning of being and the origin, his latest work is more impressionistic and minimalist.
He is a travelling companion of Debussy, Satie and Philip Glass.
- Creator:Christian Manoury
- Creation Year:2019
- Dimensions:Height: 53.94 in (137 cm)Width: 41.74 in (106 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Cotignac, FR
- Reference Number:
About the Seller
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- ShippingRetrieving quote...Ships From: Cotignac, France
- Return PolicyA return for this item may be initiated within 3 days of delivery.
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