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David SorensenHavana No 4, Yellow - bold, bright, colorful, abstract, modernist, oil on canvas1999
1999
$20,000
£15,359.14
€17,601.39
CA$28,155.06
A$31,539.89
CHF 16,435.16
MX$384,721.56
NOK 208,853.16
SEK 196,933.64
DKK 131,371.92
About the Item
A vibrant culture is captured in colour and dynamic form in this lively abstract painting by David Sorensen. After visiting Cuba in 1999, the Canadian artist created a series of paintings. The light, the bright colours and the rich atmosphere of life in Havana inspired Sorensen’s colour palette—a brilliant square of yellow in the center, surrounded by graphic shapes in red, orange, lime green, blue and black. Lines of blue and black create a grid-like pattern that runs both horizontally and vertically across the canvas.
“Through the medium of his art, a bridge is built between inner sensation and outer world experience, illusion and reality, what we cannot see and what we see, life and afterlife.” John K. Grande, Montreal poet and writer
Born in Vancouver Sorensen (1937-2011) studied at UBC and the Vancouver School of Art. His teachers were renowned—Arthur Erikson, Bill Reid and Jack Shadbolt. After moving to Montreal, he taught art at the Montreal School of Art, the Saidye Bronfman Centre and Bishop’s University. Sorensen, a member of the RCA exhibited all over the world. His work is held in numerous private, corporate and public collections.
- Creator:David Sorensen (1937 - 2011, Canadian)
- Creation Year:1999
- Dimensions:Height: 48 in (121.92 cm)Width: 48 in (121.92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU29113441592
David Sorensen
David Sorensen sought to “give voice to the inner reality.” In the paintings from his last years, Sorensen offers solutions to the nature of abstraction — wresting nature and the horizon from pure form and brilliant colour.
Born in Vancouver in 1937, Sorensen studied at UBC and the Vancouver School of Art under Arthur Erickson, Bill Reid and Jack Shadbolt. Shadbolt, who in turn had studied Hans Hoffman, invited American art critic Clement Greenberg to the school to discuss abstraction, including the work of Rothko, Pollock and Kline. These influences helped shape Sorensen’s painterly approach to non-figurative art. In 1964, the artist moved to Montreal, where he held teaching positions at the Montreal Museum School of Art, the Saidye Bronfman Centre and later, Bishop’s University. Over his long career, Sorensen exhibited in Switzerland, France, Italy, Japan, China, the U.S. and across Canada.
In 2005, the Musée du Bas Saint-Laurent in Riviere-du-Loup, QC curated a 45-year retrospective of the artist’s work. In 1996, Sorensen was elected to the Royal Canadian Academy of Arts. His work is held in private, corporate and public collections, including the Musée d’art contemporain de Montreal, Winnipeg Art Gallery, Art Gallery of Hamilton and more.
(Biography provided by OENO Gallery)
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