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Denise Driscoll
"Connectome 2", abstract, white, blue, grey, gold, acrylic painting

2018

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    "Ebb and Flow" by Sarah Alexander, is a flowing abstract watercolor on canvas in cool calm blues and turquoises measuring 30 x 24 x 1.5 inches from Alexander's "Off the Studio Floor"...
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  • "Current", abstract, contemporary, turquoise, white, soft browns, watercolor
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  • "Macrovision 6", abstract, microscopic, landscape, blues, pinks, green, pastel
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    Kay Hartung’s “Macrovision 6” is a 19.5 x 25 inch pastel drawing done on black Canson Mi Teintes paper. In blues and pinks on a background of pale yellow green, the organic shapes fo...
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  • "Macrovision 7", abstract, microscopic, landscape, blues, greens, pastel
    By Kay Hartung
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  • "Macrovision 8", abstract, microscopic, landscape, blue, green, red, pastel
    By Kay Hartung
    Located in Natick, MA
    Kay Hartung’s “Macrovision 8” is a 19.5 x 25 inch pastel abstract drawing done on black Canson Mi Teintes paper. In blue, orange and red on a background of greenish yellow, the shape...
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  • "Macrovision 10", pastel, drawing, microscopic, abstract, blue, green, grey
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  • Untitled 35 - Series 2019, Contemporary Abstract Painting, Textile Lightness
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  • Thirst
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    The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...
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