Don Totten

Untitled

Circa 1960

"Untitled" by Don Totten is an abstract oil painting circa 1960 on canvas and measures 16 in x 20 in. It is in excellent condition. Donald C. Totten (1903...

"Passage" by Don Totten is an abstract oil painting on masonite circa 1960 and measures 24 in x 24.5 in. There are faint spots on the upper right corner of the painting but otherwise...

"Lyric" by Don Totten circa 1960, oil on masonite and measures 18 in x 32 in. This piece is in excellent condition. Donald C. Totten (1903-1964) was a mem...

"Composition" by Don Totten is an abstract oil painting on masonite circa 1950 and measures 28 in x 32 in. The painting is in good condition. Donald C. To...

"Untitled" by Don Totten is an abstract oil painting on canvas circa 1960 and measures 25.5 in x 48 in. It is in excellent condition. Donald C. Totten (1903-1964) was a member of a group of artists who quietly began to introduce modernist thought, emanating from Europe and the East Coast, to the Los Angeles art community during the 1920s. Other members of this group were influential artists as Nick Brigante, Lorser Feitelson, Helen Lundeberg...

This painting by Werner Graeff measures 29.5" in x 19.75" in. It is an abstract oil painting completed in 1977, beautifully framed and in good condition....

Oil on board. Signed and dated lower right and verso, titled verso. 36.25 x 48 in. 40.5 x 52.25 in. (framed) Framed in contemporary silver, tiered floater frame. Dennis Eugene Norman Burton was a Canadian modernist who was born in Lethbridge, Ontario. He attended the Ontario College of Art from 1952 to 1956, and worked for the Canadian Broadcasting Corporation (CBC) as a graphic designer until 1960. Inspired by a 1955 exhibition of the “Painters Eleven” at Toronto’s Hart House, as well as American Abstract Expressionist artists such as Robert Motherwell, Jack Tworkov, and Willem de Kooning, Burton shifted his focus toward abstraction in the mid-1950s. Burton showed with the famed Isaacs Gallery in Toronto, becoming one of the youngest members on the gallery’s roster. A talented musician, he also played saxophone in the Artist’s Jazz Band in Toronto - a pioneering Canadian free-jazz group...

Oil on masonite. Signed lower right and on verso. 30 x 24 in. 31 x 25 in. (framed) Custom framed in maple. Louis Leon Ribak was born in the Russian empirical governorate of Grodno in 1902. A long-disputed region that is ethnically Lithuanian, at present day, Grodno is located in the western reaches of the Republic of Belarus, near the borders with Poland and Lithuania. At the age of ten, Ribak and his family immigrated to New York City. In 1922, he attended the Pennsylvania Academy of Fine Arts, followed by studies at the Art Students League (1923) and the Educational Alliance (1924). Ribak’s oeuvre can be largely delineated between two stylistic phases: social realism and abstraction, the former taking hold during the 1930s and 40s. During that period, he had several solo exhibitions at the A.C.A. Gallery in New York, while also regularly exhibiting with “An American Group Inc.” - a cohort of socially-conscious painters that included Stuart Davis, Reginald Marsh, Maurice Sterne, and Raphael Soyer. In 1933, Ribak assisted Diego Rivera on the mural for the lobby of Rockefeller Center, while also being employed by the Works Progress Administration (WPA) as a muralist. Louis Ribak met fellow artist Beatrice Mandelman at a dance sponsored by the Artists Union in New York. They were married in 1942, and shortly thereafter, he was drafted for military service in World War II. After his discharge from the service in 1942 due to difficulties with asthma, Mandelman and Ribak traveled west to visit his former mentor John Sloan in Santa Fe, NM. By this time, the couple had become disenchanted with the art scene in New York, and in light of the need to find a healthier climate for Ribak’s asthma - as well as reputed FBI surveillance based on political affiliations with Communist sympathizers - they decided to permanently relocate to the emerging artists’ colony of Taos, NM in 1944. This change of scenery ushered in the second phase of Ribak’s stylistic career, with his work shifting from social realism toward abstraction. He was captivated by the landscape and the diverse cultures of northern New Mexico, the influences of which began to appear in his work. Ribak founded the Taos Valley Art School in 1947, offering no ideology to his students; instead arguing that the adoption of a single approach would lead to academicism. Ribak was an integral force in the development of the Taos Moderns...

Series 67, No. 4 (1955) Oil on masonite 48" x 24 ½" 49" x 25 ¼" x 1 ¾" framed About this artist: Jack Wolsky was born in 1930 in Rochester, New York. He taught in the Department o...

Featured in the Julio de Diego - Paintings and Drawings exhibition at the McNay Art Institute, this is an exceptional work by the artist. Altitude 2000, Departure (1946) Oil on maso...

RONALD BLADEN Japanese, c. 1956-59 dry pigment and oil on masonite 48 x 23 1/2 inches

Large Geometric Abstract Oil Painting on Masonite No visible signature 36 x 48 unframed, 37.5 x 49.5 framed