Douglas Melini

Untitled (Tree Painting-Coencentric, Eight Greys Warm)

2023

DOUGLAS MELINI Untitled (Tree Painting-Coencentric, Full Spectrum Blue), 2023 Oil on linen and acrylic stain on reclaimed wood with artist frame 30 x 30 inches 76.2 x 76.2 cm -- D...

DOUGLAS MELINI Untitled (Tree Painting-Full Spectrum with Mushrooms), 2022 Acrylic stain, acrylic, oil and 3D printed mushrooms on reclaimed wood with artist frame 72 x 48 inches 182...

KEVIN APPEL Aggregate 9 (slab), 2023 Oil and acrylic on canvas over panel 60 x 48 inches 152.4 x 121.9 cm Signed and dated (verso) -- Kevin Appel’s paintings are built of fragmenta...

KEVIN APPEL Aggregate 7 (autumn), 2023 Oil and acrylic on canvas over panel 70 x 60 inches 177.8 x 152.4 cm Signed and dated (verso) -- Kevin Appel’s paintings are built of fragme...

NICK AGUAYO Cold Nose, 2022 Acrylic and marble dust on canvas 48 x 36 inches 121.9 x 91.4 cm Signed, titled, and dated (verso) -- Riddled with playful color and poppy graphics, Nic...

NICK AGUAYO The Ostrich, 2022 Acrylic and marble dust on canvas 86 x 86 inches 218.4 x 218.4 cm Signed, titled, and dated (verso) -- Riddled with playful color and poppy graphics, ...

SHORT SPURTS 2021 Paris, France This piece is a visual interpretation of a poem the artist wrote around frenzied, short-sighted behaviors: “That part usually stays hidden. Those colors are not known for blending. Us? We come from a rib. And we tangle ourselves in the traps we set for our prey.” - Nicholas Evans The painting is composed of plaster, oil and acrylic, with the main detail shape, in white, positioned over wood glue, leaving a slightly raised effect. Embracing the unique imperfections of reclaimed objects aged over time, Evans uses antique found...

A LUSH SPRING 2021 Paris, France "A Lush Spring" (Abstract Statuesque Lion, Rich Color Palette, Painting on Wood) Playful optimism. “A Lush Spring” is created using a rich color pa...

WOMBS, TOMBS AND TOOLS 2020 Paris, France Hand-painted, serif typeset words loosely convey the similarities between the place we begin and end life -- the womb and the tomb --- and ...

‘PORTAL 4 (COMPASS)’, 2021 by Sarah PICKSTONE - Oil and Acrylic on linen - was exhibited at GALLERY46 show 'KNOCKING IT OUT OF THE PARK' from 5TH NOVEMBER – 12TH DECEMBER 2021 which also included artists JOSHUA ARMITAGE, KLAAS OP DE BEÉCK, YAGE GUO, CHRISTABEL MacGREEVY, ALEXI MARSHALL...

“The oval paintings give the feeling that somewhere in their essence, invisible to the human eye, there is a light source, which disperses the cleansed and superior light through the reflective whiteness of the wall into the space.” Dr. Nataša Smolič In this oval artwork color is present like the natural reflection of the painted canvas outside the painting surface at the paintings back. So, the source of colour isn′t any electric source. It happens naturally like a reflection on the wall. I′m researching this praenomen more than a two decades. A non-material reflection on the wall appears as a reflection of the painted object. And in daylight it changes all the time. You are kindly invited to see a video of that process on my homepage : video1 and video 2. On the back of the solid wood support panel there is intensive acrylic paint, which is only visible as a reflection of red color on the wall. I used oil paint for the front of the painting. The wooden panel of the picture was hand-shaped at the front into a slightly convex shape. . . . . . In the past tradition of painting, only the frontal parts of paintings were always the carriers of the content. I broke this millennial tradition and focused my attention on applying colour onto the edges and the back of the painting. These parts of my painting compositions are hidden from the viewer's eye and are visible only indirectly – as reflections of the paint reflecting onto the wall area, addressing the viewer with their immaterial presence. This creates coloured light...

"PINCHE PAYASO" Oil Painting 40" x 30" inch by Isaac Pelayo Medium: Oil, oil stick, acrylic, aerosol on wood ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance and Street Art. In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely. As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff Hamilton, Shepard Fairey, Jaysse Lopez, and Everlast of House of Pain...