FPA Francis Pavy Artist

SCARED HEART Record with Bull

This small work depicts a Blue woman's figure with Red lipstick attired in yellow situated against a swirling purple, Green, black, and silver back ground. this work is framed. S...

This small work is Entitled "swamp storm". It Measures 12" x 12" , and is oil on Cotton Duck canvas Signed on the reverse> in Charcoal on the reverse 1t reads : ©Francis x Pavy...

This painting is entitled money Moonfire. It depicts a campfire that has moons in the flames. In the background there is swirls depicting the rushing water of the Mississippi. Signe...

This work depicts a central figure with a blue face. A Turquoise violin-type shape is in the foreground. The figure is flanked by two areas of multi-colored briars that are Burning. ...

This small painting is entitled Sunset Portraits. It's an oil painting on canvas mounted on wood. The painting depicts a man's silhouette formed by fl...

This abstract work features several Pavy Design icons a waist a swirling red, yellow, and Deep blue Background. These Icons include a Coffee cup, Acoustic guitar, a telephone pole...

Dramatic abstract oil on canvas painting by Gladys Regier-Vaughan (American 1923-1987). Vaughan was a New York stage director who started painting in 1970. Signed and dated verso.

Giulio Turcato (Mantova, 16 marzo 1912 – Roma, 22 gennaio 1995) è stato un artista italiano, fra i principali esponenti dell'astrattismo informale italiano.

Born 1955 in Broken Bow, Nebraska. Lives and works in New York. AWARDS
 National Endowment for the Arts, Major Grant Robert Terry was best noted in his depictions of romantic moons...

American School, Artist Unknown

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 29 x 22 inches, Signed on frame verso “Painted by Charles L. Goeller” Exhibited: (Perh...

Energy Manifestation #4, 1933, oil on canvas, 24 x 30 inches, signed and dated lower left. Likely exhibited at Nicolaides’ solo show at the Wadsworth Atheneum (Morgan Memorial Building), Hartford, Connecticut, in April, 1933 (see Memorial Opens Varied Display of Nicolaides Work, Originality Distinguishes Creations of New York City Artist, Hartford Courant, April 5, 1933) About the Painting This rare work comes from Nicolaides’ energy series, which draws on a unique combination of machine- age aesthetics, Italian-influenced Futurism and French-inspired Surrealism. But, this is a uniquely American work produced in the melting pot of the 1930s metropolis, New York City. Nicolaides uses the ray lines of the American precisionists to frame a pulsating apparatus that unites man and machine as one. The cogs and gears of the fantasy machine seamlessly blend with the hand of its operator. We are left to wonder whether the two are working together in harmony or whether the worker has been absorbed into the machine, like a Depression era robot. In reviewing the 1933 Wadsworth Atheneum show, where works from Nicolaides’ energy series were exhibited, a critic described these paintings as “combining . . . highly imaginative form aspects of machinery and flashes of color which seem to represent light and heat.” The same critic praised the artist, “Mr. Nicolaides here achieves powerful effects with line, mass and color. These pictures are striking for the solidity of the objects portrayed, for their composition and for their delicate orchestration of tones.” Commenting on the same exhibition, Frederick Hynd, the director of the Hartford Art School, noted that “Mr. Nicolaides’ work was noteworthy for its extremely personal sense of color and for its imagination” and that the artist achieved decorative effects “based on emotional ideas.” About the Artist Kimon Nicolaides...