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Francie Hester
Vessel B-20, dark blue mixed media sculptural piece, 36" diameter

2020

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  • Intertwined N, multicolored mixed media painting on aluminum
    By Francie Hester
    Located in New York, NY
    Painter Francie Hester, born and raised in Columbus, Ohio, lives and works outside of Washington, DC. In 1999, Hester abandoned the traditional practice of painting on canvas to explore the properties of painting on aluminum...
    Category

    2010s Contemporary Abstract Paintings

    Materials

    Metal

  • Vessel A-21, warm copper mixed media sculptural piece, textured, 36" diameter
    By Francie Hester
    Located in New York, NY
    Acrylic paint and aluminum leaf on acrylic glass. 36" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Acrylic, Glass, Mixed Media

  • Vessel #2, multicolored mixed media sculptural piece, textured, 22" diameter
    By Francie Hester
    Located in New York, NY
    Acrylic paint and aluminum leaf on acrylic glass. 22" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Glass, Mixed Media, Acrylic

  • Vessel #4, multicolored mixed media sculptural piece, textured, 22" diameter
    By Francie Hester
    Located in New York, NY
    Acrylic paint and aluminum leaf on acrylic glass. 22" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Glass, Mixed Media, Acrylic

  • Vessel 22 #3, blue and green mixed media sculptural piece, textured,
    By Francie Hester
    Located in New York, NY
    Acrylic paint and aluminum leaf on acrylic glass. 36" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Glass, Mixed Media, Acrylic

  • Vessel #3, multicolored mixed media sculptural piece, textured, 22" diameter
    By Francie Hester
    Located in New York, NY
    Acrylic paint and aluminum leaf on acrylic glass. 22" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Glass, Mixed Media, Acrylic

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    Signed, dated, and titled "MAX MARRA XXX 2002 verso. Mixed media sculpture painting including acrylic, ink, cord, and wax on shaped canvas, 20 3/4 x 24 in., unframed. Ho viaggiato ...
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  • 3-part painting construction by Black African American artist, w/ found objects
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    This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...
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  • The Last Aristocrat (Framed Contemporary Wood Panel Quadriptych Painting)
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    (Very difficult to photograph inside the case with glass front, so we took one outside the case. A video is included that we hope helps, thought it suffers from reflections on the gl...
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  • Balance of Power (Quadriptych Wood Panel Contemporary Abstract Painting)
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  • Florentine (Quadriptych Wood Panel Framed Abstract Painting)
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    Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: 'No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now.' We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels. While they look Minimalist at first glance, there are subtle shifts in color and texture that distinguish them from hard-edged abstraction. For me, it has always been about the surface, and the materials. Wax has a character unlike anything else. I use wax both hot (encaustic) and in a cold mixture with turpentine, blended with oil. The complementary underpainting, setting the stage for the wax and oil later...
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