Francine Tint

Painted Memory

2022

Bright, light and colorful, inspired by the joyful chaos of New Orleans.

Little Miss Honky Tonk. Acrylic on canvas. Framing options available.

Bio: Influenced by the movements of color field and action painting, Francine Tint’s paintings are the result of a process of disclosure, drawn from her own life events, dreams, and...

Influenced by the movements of color field and action painting, Francine Tint’s paintings are the result of a process of disclosure, drawn from her own life events, dreams, and literature. Tint has been the proud recipient of grants and awards such as the Adolph and Esther Gottlieb Grant, two Pollock Krasner Grants, and a recent Honorable Mention from the Butler Institute. Tint’s work has been shown extensively both nationally and internationally; and is held in the permanent collections of over 27 museums, including the Portland Art Museum, the Heckscher Museum of Art, and the Krannert Art Museum...

Influenced by the movements of color field and action painting, Francine Tint’s paintings are the result of a process of disclosure, drawn from her own life events, dreams, and literature. Tint has been the proud recipient of grants and awards such as the Adolph and Esther Gottlieb Grant, two Pollock Krasner Grants, and a recent Honorable Mention from the Butler Institute. Tint’s work has been shown extensively both nationally and internationally; and is held in the permanent collections of over 27 museums, including the Portland Art Museum, the Heckscher Museum of Art, and the Krannert Art Museum...

My paintings serve as records of a process of disclosure, drawn from my own life events, literature, and dreams. Finding inspiration in the movements of color-based and action paint...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

MORNING captures the soft patterned shadow of leaves peering through a window. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hart...

In this painting, we see an underpainting of clouds parting around a sunburst at dawn. The natural curvature of the clouds is interrupted by hard-edged longitudinal stripes of gradie...

"Red #2" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using natural...