Jackie Battenfield

Spring Snap, Botanical Painting on Mylar with Teal Blue Leaves on Brown Branches

2017

In this abstract painting in acrylic on canvas mounted on a shaped panel by Elizabeth Gourlay, carefully ordered blocks of color in a deep shade of dark cobalt blue with thin lines i...

In this painting by Elizabeth Gourlay, carefully ordered horizontal blocks of color in salmon, peachy orange, lilac, mauve, gray and light purple are vibrant against thinner stripes ...

A bright multicolored painting with lime green, periwinkle, golden orange, yellow and burgundy red stripes against a luminous coral background. Signed, dated and titled on verso. Jo...

In this abstract painting in colored pencil and acrylic on canvas by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in blue gray and light sage green are liv...

In this abstract painting by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in gray, light green, red orange and blue are lively and vibrant agai...

An oval shape in a geometric grid pattern in black and delicate circular lines in black and dark gray are dynamic against a neutral beige background in this abstract painting in acry...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

ARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts at the libraries of the American Philosophical Society, the Science History Museum, and the Cajal Institute in Madrid. She has also worked on collaborative projects at the Center for Astrophysics at Harvard University, the Kavli Institute at Massachusetts Institute of Technology, and Rochester Institute of Technology. While artist in residence in the neuroscience program at National Institutes of Health, Kamen interpreted and transformed neuroscience research into sculptural form. Her work has recently been exhibited in the Creative Resilience: Art by Women...