James Bartell

Hard edge Abstract Painting - Monument #9

1973

This painting with added elements is an excellent example of Joe Doyle’s abstract illusionist art. It is composed of acrylic on shaped canvas with fabric elements added. It measures 36 x 43 inches. Each edge has been painted except for the left edge which has a frame. The right edge has been shaped. The black elements of the tent-like structure are added fabric. The work is signed, titled "564" and dated on the reverse. As well it bears a label from Harcourts Gallery, a gallery in San Francisco during the 1980s and 1990s. The work is in very good condition. Joe Doyle established himself as a painter during the movement toward new abstraction in San Francisco in the mid-seventies. Stylistically his work evolved from photo-realist renderings of aircraft which exaggerated differences in focus of background and foreground" By 1975 his imagery shifted to arrangements of flat, geometric forms and tubular squiggles in a trompe l'oeil manner that created the illusion of a multi-layered, three dimensional space. By the late 1970s Doyle, along with James Havard, Jack Reilly, George D. Green, and others, had attained national prominence working this style now referred to as Abstract Illusionism. Doyle and others were included in 'Reality of Illusion' a large touring exhibition of primarily American illusionist artists organized by the University of Southern California and The Denver Art Museum. Doyle enrolled at San Francisco State College receiving his M.A. in 1971. From 1971 to 1975 he was a photo-realist transferring images from photographs using airbrush techniques on canvas, occasionally adding political satire into the subject matter, as in "Ice House...

This painting by Michasel Tyzack (1933-2007) is a bold composition with an equally bold palette. It measures 36 in x 64 in (91cm x 162 cm) and is composed of acrylic on canvas. The background colors are some kind of wash The piece is titled "Small Nocturnal #2" and dated 1981. It is signed en verso on the stretcher "Michael Tyzack...

Artist: Betsy Kaufman – American (1953- ) Title: Landscape of Reflection Study Year: 1988 Medium: Acrylic on paper mounted to canvas Sight size: 13.5 x 1...

Artist: Julius Njau – Tanzanian (1961- ) Title: Untitled Year: 1987 Medium: Acrylic on Canvas Sight size: 27.5 x 36.5 inches. Framed size: 29 x 38 inches Signature: Signed, dated lower right Condition: Very good Frame: Framed in original frame. Frame in fair condition This colorful painting of figures is by the well-known Tanzanian artist Julius Njau. It is in very good condition and signed “Julius N” and dated 1987 in the lower right. The frame is simple unfinished wood. It has a few small scratches Tanzanian artist Julius Njau was born in 1961 Marangu, Moshi in Tanzania. He attended the Primary School Kilimanja. In 1972, a serious fracture of the leg caused him to spend two years in hospital where he began to paint and his career as an artist commenced. Julius was encouraged by a Finnish radiology specialist who supplied him with material and purchased his works. She also organized his first exhibition in Finland in 1983. The first works of Njau are very representative, inspired by the nature and the traditional aspects of his country. In 1984 his technique changed and his style transformed. Julius Njau paintings are characterised by the interaction of primary colors and the mixture of forms. Julius Njau's artworks works are part of the collection of Osaka Prefecture and Toyama Museum of Modern Art in Japan. They are also in the Frankfurt Museum of Ethnology (fur Volkerkunde), in the ZAK Gallery (Zeitgenossische afrikanische Kunst), Furth in Germany, in the Amos Anderson Helsinki Gallery, Finland, and in the 5th British Museum in England. In 2002, Julius Njau received a Nagoya City Hall Award and in 2003 the Grand Prize at the Toyama Prefecture International Competition at the "Sukiyaki Encounter the World" Poster Design Festival. Julius Njau is President and a founding member of the Marafiki group. EXHIBITIONS 1983 'Julius Njau One Man Show' Amos Anderson Museum, Helsinki, Finland 1984 'Group Exhibition' Gallery of Denmark 1985 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1985 'Julius Njau One Man Show' Tynset, Norway 1985 'Julius Njau One Man Show' Gallery of Sweden 1986 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania 1987 'Julius Njau One Man Show' Gallery Watatu, Nairobi, Kenya 1988 'Julius Njau One Man Show' Vogue Gallery, Nairobi, Kenya 1988 'Julius Njau One Man Show' Centre culturel francais, Nairobi, Kenya 1989 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1990 'Into the Nineties' Gallery Watatu, Nairobi, Kenya 1990 'Portraits of Kenya' Gallery Watatu, Nairobi, Kenya 1991 'Gallery Artists' Gallery Watatu, Nairobi, Kenya 1991 'The Custodian's View' Gallery Watatu, Nairobi, Kenya 1991 'Julius Njau One Man Show' Nairobi Safari Club, Kenya 1991 'Julius Njau One Man Show' Nagoya City Network Centre, Nagoya, Japan 1991 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya 1991 'Julius Njau One Man Show' The German Culture Centers, Goethe Institut, Nairobi, Kenya 1992 'Julius Njau One Man Show' International Gallery, Madrid, Spain 1992 'Through the Artists' Eyes' Gallery Watatu, Nairobi, Kenya 1992 'Rafiki wa zamani' Gallery Watatu, Nairobi, Kenya 1992 'Kenya Art...

This artwork titled "Hello Blackbird" 2003 is an acrylic painting on textured canvas by noted American artist Neal Doty, 1941-2016. It is signed at the lower right corner by the artist. The size is 28 x 22 inches. Also signed, titled, dated and described on the back of the canvas. It is in excellent condition. About the artist: Neal Doty was born in Glendale, California in 1941. His art education began at the Art Center of Design in Los Angeles. Doty went on to study at Los Angeles City...

Artist: Jennifer Bain (American, born 1955) Title: Christina's Spirit 94-96 Year: Circa 1995 Medium: Acrylic on canvas Signature: Signed and titled on reverse by the artist...

"Woman in Pink, Blue, and Gray" is an acrylic on canvas painting measuring 24" tall by 18" wide. It's very active, with a woman wearing a colorful cap with feather, her tresses falling down behind/beside her, portrayed with cubist abandon as the artist folds in Picasso with Philip Guston... Note all the formal elements are present – her eyes, her smile, her dress and bosom – yet assemble and disassemble in front of our eyes. From Peter Schenck...

"Strengths and Weaknesses" is a portrait exploring several elements and strategies that fascinate the artist – notably the performance anxiety induced by simply being an artist, staring down the freight train of art history as it hurtles toward you every time you pick up a brush. Luck? Talent? Maybe. There are signposts and guides in this painting, of course (Cubism! Surrealism! Brancusi! Guston!), but they can clobber you too if you're not careful. Even the phrase "strengths and weaknesses" smacks of compromises and rationalization – deadly to an artist looking to construct their own integral world. "Strengths and Weaknesses" is an acrylic and charcoal on canvas measuring 54" tall by 54" wide. It was included in the artist's solo show "Comedy Cellar" at Freight + Volume Gallery, New York City in July 2018. (See last photograph for an installation view.) From Daniel Gerwin – "Schenck’s color is vibrant, wild, saturated to the point of overheating, and altogether brilliant in the balancing of hues, temperatures, shapes, and color quantities. The paintings have a remarkable coherence for their dizzying juxtaposition of so many small chromatic passages." (Essay: The Anxiety and the Ecstasy) Peter Schenck...

"Rembrandt Woman" is an intriguing painting, a woman in classic Dutch master portrait pose with a hand modestly holding her secrets dear, yet por...

Jay Rosenblum (1933 - 1989) Untitled, 1973 Acrylic on canvas 54 x 128 inches Signed twice and dated on the reverse Provenance: Private Collection, Long Island Jay Rosenblum experim...

"I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of color. These works don’t bring ...

"I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of color. These works don’t bring ...