Jan Pieter Fokkens

Blinded, Original Ink Painting, Pixelated Declassified Military Image, Framed

2019

Victor Wang's highly textured paintings involve thick layers of paint over collaged images from the Tang Dynasty. In "Let Her Go", the foreground shows a modern female figure sitting upon the side of a boat which gives the impression she is wearing wings and about to take flight. Upon closer look, there are various scenes taking place around her in the water - warriors with knives drawn, a jeep in pursuit of some unseen enemy, a cauldron boiling over. Influence by the Renaissance Masters, Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Let Her Go oil on canvas 48h x 60w in 121.92h x 152.40w cm VWG011 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening...

Andrew LeMay Cox "Love Nest" - Overgrown fields of amber grain freckled with flowers of many. On a perfectly sunny day and the wind is strong but gentle. There is no one else in s...

Andrew LeMay Cox Ink Painting Statement Within these works the exploration of visual storytelling and construction propose challenging questions to the traditions of academic painting. Two components that influence these painting practices are process and narrative. The function of materiality within these works attempts to question traditional methods of paint on canvas. They are constructed using ink that is baked at high temperatures and is assembled by painting on skins. The skins hang loosely from the stretcher and add sculptural properties to 2-dimensional surfaces. The other component is to create an aesthetic narrative that allows the viewer to escape their reality and get lost in themes outside civilizations normality’s. These characters occupy a utopian landscape outside the realms of race, religion, or politics. They ignore social or economic concerns. They are ageless and serendipitous. They sing, dance and make love without cause, limitation or destination. CV Education 2007-2011 School of the Art Institute of Chicago, Bachelor of Fine Arts Exhibitions 2017 Let Your Thoughts Flies Away, Group Show, Chicago, IL 2016 Pop-Lore, Jan Brandt Gallery, Bloomington, IL 2016 Love Spells, Linda Warren Projects, Chicago, IL 2014 Unfiltered, Filtered Warehouse, Chicago, IL 2013 Revolving Artist’s showcase, Gold Star, Chicago, IL 2013 Group Show The Squeeze, Chicago, IL 2012 Group Show, Space Camp Headquarters/Grey Ghost...

Color, line, texture, pattern and process are the formal qualities of abstract work. By exploring these qualities, Connor Hughes creates a visceral and cerebral experience within the abstract. Fields of color and texture fill the canvas. He attacks his work with a vigorous show of emotion, a struggle between self-expression and the chaos of the subconscious. The heavy paint spills...

Color, line, texture, pattern and process are the formal qualities of abstract work. By exploring these qualities, Connor Hughes creates a visceral and cerebral experience within the abstract. Fields of color and texture fill the canvas. He attacks his work with a vigorous show of emotion, a struggle between self-expression and the chaos of the subconscious. The heavy paint spills...

Color, line, texture, pattern and process are the formal qualities of abstract work. By exploring these qualities, Connor Hughes creates a visceral and ...

Venus 8 (Lung), 2009 ink on synthetic paper 30 x 22 in / 762 x 558 mm unframed drawing Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle...

An original marker-and-ink painting by one of New Orleans' most iconic artists, Robert Gordy. His works are at the Met, the Whitney and other major museums around the world. He was ...

In a way, it is a collision of opposites. Two canvases combined to one frame.

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This emotive artwork effortlessly blends figuration and abstraction in colorful concert. Cascading down the length of this multimedia composition, luminous washes of color and abstra...

This lively multimedia display features an enchanting field of color across canvas. The title alludes to the boundless character of creative conception, while expressive floral gestu...