Jerry Cornelia

Yeah, I'm a Bitch but I'm a happy bitch

Through the unique usage of color, light and spirit, K.L. McKenna's style captures the landscape in a most unexpected way. Her paintings are not just paintings of landscapes but color harmonies of a very high and unusual order. Her inspiration for the west comes from childhood summers spent prospecting for fossils in Wyoming with her paleontologist father and family. K.L. McKenna's scenes of Colorado, Arizona, Wyoming and Montana reflect her enthusiasm and spiritual connection to the geology of the west, where she paints on site throughout the year. K.L. McKenna, a resident of Woodstock, NY and Ward, CO, has had extensive experience working for museums and top exhibition design firms in New York, such as Ralph Appelbaum Associates and Albert Woods Design. She worked throughout the United States and Canada as a graphical user interface designer for major banking firms such as Citibank, First Boston and Lehman Brothers. K.L. McKenna was awarded a U.S. Patent for "The Geozoo," an educational toy design. She studied painting first with Mary Buckley at Pratt Institute, Brooklyn, NY and later with Nicholas Buhalis at the Kingston School of Art, Kingston, NY. In 2005, K.L. McKenna exhibited 24 of her paintings in the Borderlands Gallery at the Booth Western Art Museum, Cartersville, GA. She has participated in the annual auctions "Expanded Horizons," Yellowstone Art Museum, Billings, MT, and the "Annual Buffalo Bill Cody...

Artist Statement-"I work in mixed media, laying down layers of spray paint, pencil, and traditional oil wash on wood or canvas before bringing in photography or other elements that c...

Nerhbass’ paintings focus on style as a sublime element of tension within beauty. Thematically they evoke modern dilemmas of what it means to see and be seen in a manner that is simu...

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern landscapes came to be spatially constructed. Through a combination of on-site field studies and larger studio pieces I make bodies of work that reflect the individual characteristics of a specific place while retaining a critical awareness of the landscape genre. This practice, while fully absorbed into the cliché of modern landscape painting, is not innocuous. It is rooted in a history of globalism and environmental dominance. Through my work I explore this spatial language at times allowing individual works to teeter into abstraction. The works in Rise look specifically at how we will navigate and view a rapidly changing physical world. - Beau Carey

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern landscapes came to be spatially constructed. Through a combination of on-site field studies and larger studio pieces I make bodies of work that reflect the individual characteristics of a specific place while retaining a critical awareness of the landscape genre. This practice, while fully absorbed into the cliché of modern landscape painting, is not innocuous. It is rooted in a history of globalism and environmental dominance. Through my work I explore this spatial language at times allowing individual works to teeter into abstraction. The works in Rise look specifically at how we will navigate and view a rapidly changing physical world. - Beau Carey

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters...

Small Early Triptych Study of Abstract Trees Forest Landscape Painting by British Urban Artist. This rare early work is from an intense body of abstract work that formed the very fou...

Abstract Landscape of Horses in Cornfield in Warm Colours by Modern Irish Artist Desmond Kinney Art measures 18 x 12 inches Frame measures 26 x 20 inches Desmond Kinney was born in Portstewart in 1934, attending Methodist College in Belfast and then the Belfast College of Art. In 1962 he started a successful graphic design studio called Kinney Dobson with Ralph Dobson. Kinney is best known for his revival of the technique of working with mosaics through the various large scale murals he has worked on, many of which can be found in Dublin. With the majority focused on Irish Legends, these include the mosaic mural...

In the Eye of the Wave by Lyora Pissarro 2023 Oil paint on board 39 inch diameter Signed and dated on the reverse Shipping is not included. Please contact us for shipping quotes a...

Oil on canvas on cardboard Painting by Polish artist Jaroslaw Romaniuk PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this arti...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

Brian Elwell began his artistic career at Chelsea School of Art, and was awarded the Chelsea Diploma in Fine Art and a Leverhulme Travelling Scholarship. He subsequently studied for ...