Jessica Snow

A Reflection of Morning

2011

sbc 141 (Abstract painting) Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the pr...

sbc 154 (Abstract painting) Acrylic on linen - Unframed This acrylic painting on linen is one of a series of 10 that the artist developed from a painting that incorporated a photog...

sbc 195 (Abstract painting) Acrylic on Linen - Unframed Like sbc 194, this acrylic painting on medium-weave linen deviates from Cantrick’s habitual formats. Indeed, the seascape f...

sbc 139 (Abstract painting) Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the pr...

sbc 154 (Abstract painting) Acrylic on linen - Unframed This acrylic painting on linen is one of a series of 10 that the artist developed from a painting that incorporated a photog...

sbc 141 (Abstract painting) Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the pr...

Michael Loew (1907-1985). Red Above Blue, 1966. Acrylic on canvas, 39 x 56 inches. Signed lower right. Signed, titled and dated en verso. Excellent condition. Biography: Michael Loew was born in 1907 and was the son of a New York City baker. After high school, he was an apprentice to a stained-glass maker, and from 1926-1929, he studied at the Art Student’s League. In 1929, he traveled to Paris, North Africa, Germany, and Italy with a group of artists, including Max Schnitzler...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is dominated by a horizontal vesica piscis shape. The two intersecting circles are a dark salmon orange and a deep wine red (left to right). The canvas at the intersection of the two circles has been cut and peeled back to reveal that the back of the painting has been painted pink. While the trangular shape above the interseccting circles has been painted an ashy brown, the lower section has been left raw. Her Equivalence Series began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

This painting by Linda King Ferguson, like all of her work, Depicts an abstaction of the female body. An oblong pink shape jutts out from the top of the diamon-shaped canvas. A teard...

"The Conversation" is an oil painting on canvas measuring 54" tall by 54" wide, and a key artwork among Peter Schenck's many remarkable paintings address...

Jay Rosenblum (1933 - 1989) Untitled, 1973 Acrylic on canvas 54 x 128 inches Signed twice and dated on the reverse Provenance: Private Collection, Long Island Jay Rosenblum experim...

Beautiful Hard Edge abstract painting by American artist, Anthony Krauss. Oil on canvas, ca. 1980, measures 32 x 38 inches. Signed on verso. Excellent condi...