Jimmy Ernst

"Personal Equation" Jimmy Ernst, Abstract Surrealism, Black, Red, Blue, White

1950

Enrico Donati Aswan IV, 1984 Signed, dated and inscribed as titled on the reverse Oil and sand on canvas 36 x 42 inches Provenance: Gimpel & Weitzenhoffer Gallery, New York Doyle, October 12, 2022 Enrico Donati, a surrealist and abstract expressionist painter, was born in Milan, Italy in 1909 and died in Manhattan on April 25, 2008. He was known for his association with the surrealist movement of the 1940's, but his artwork continued to transform itself through the many trends that have occurred during his long career. In Italy he attended the Universita degli Studi in Pavia where he studied economics. In 1934, he moved to the United States settling in New York where he studied at the New School for Social Research and the Art Students' League. Considered the surviving dean of the Surrealist Movement and a member of the New York School, Donati painted with Ernst, Matta and Tanguy in the thirties and forties, and in particular with Andre Breton, regarded by many to be the grand master of Surrealism. He helped organize the Exposition Internationale du Surrealisme in Paris in 1947 where he exhibited three of his pieces. The Surrealists were known to avoid presenting or representing reality, and put the emphasis on invention and creativity by uncovering the poetic aspect of life with its kaleidoscopic multidimensional images, using reality only to enhance imagination. Donati survived the decline of Surrealism in the late 1940's by adapting his style to current art trends as he worked with new materials and textures throughout the 1950's. One trend with which he became involved was Abstract Expressionism, which originated in the 1940s, and became popular in the 1950s. It was a movement in which artists typically applied paint, rapidly and with force, to large canvases, in an effort to show feelings and emotions. Paint might be applied with large brushes, sometimes dripping or even throwing it onto canvas. Abstract Expressionist work is characterized by a strong dependence on what appears to be accident and chance, although it is actually highly planned. Donati held a retrospective at the Palais des Beaux-Arts in Brussels in 1961 and went on to exhibit at the Betty Parsons Gallery with other forerunners of American Abstract Expressionism: Mark Rothko, Barnett Newman, and Jackson Pollock. It was at this time that Donati created some of his most inventive and extraordinary work, some of which was featured in a survey exhibition at the Alter & Gil Gallery, Beverly Hills, California, in January 2000. He has held many teaching positions and has been an active lecturer, while continuing to add to his artistic repertoire. From 1960 to 1962 he was a Visiting Lecturer at Yale University, and from 1962 to 1972 a Member of the Yale University Council for the Arts and Architecture. He has had seventy-five one-man shows, among them an exhibit of new paintings at the Maxwell Davidson Gallery (57th St., New York) in the fall of 1997. Donati's work is held in collections throughout the world, and his work has appeared in over 300 articles and publications, two hard cover books...

Juanita Guccione (1904 - 1999) Study for Ladders, 1948 Gouache on paper 17 x 13 inches Signed lower left, dated, and inscribed “Study for Oil Painting...

Gerome Kamrowski Blue Fossil, 1960 Acrylic and styrofoam on board 17 x 46 inches Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in the Saint Paul School of Art (now Minnesota Museum of American Art - MMAA), where he studied with Leroy Turner...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 88 x 82 1/2 inches Signed on the stretcher Fenton's quiet and contemplative nonobjective paintings and drawings were widely recognized for their demanding yet understated means of revealing a serious and sober essence. He identified greatly with Mark Rothko, a friend, as well as Adolph Gottlieb and Jack Tworkov, with whom he had studied privately. Fenton painted in New York City in the late 50's as the explosion of Abstract Expressionism turned into a rebellion against gestural, emotional painting. More concerned about his art than his posture, he expanded upon a tradition in painting with influences as diverse as Whistler and Turner as well as Ad Reinhardt and Joseph Albers. Alan Fenton was born in Cleveland in 1927, studied at the Cleveland School of Art, The Arts Students League, The New School, and at NYU, earning his BFA at Pratt Institute, where he later taught painting for many years. At seventeen, Fenton served in the Merchant Marines where he began a career as a professional boxer, a skill he had honed on the streets. He moved successfully through the graphic design business en route to becoming a painter in New York at the height of the art revolution of the fifties and sixties. Fenton enjoyed success with his subtle washes and pencil drawings as well as large abstract canvases...

Edward Millman (1907 - 1964) Candelabra, 1962 Signed lower right; titled and dated on the reverse Oil on canvas 41 3/4 x 31 1/2 inches Provenance: The ...

Nigel Cooke (Born 1973) Pyroclastic Fever, 2002 Oil on canvas 60 1/2 x 84 1/2 inches Signed, titled and dated "NIGEL COOKE 'PYROCLASTIC FEVER' 2002 Nigel C...

This painting is artwork of Patrick Faure, Creator of Faurism. The painting is unframed, oil on canvas. About the Artwork: Wings of Fascism is a perfect example of Faurism, a styl...

This 2019 painting is from Patrick Faure’s Agnoiaphobia series. The painting is unframed, oil on canvas. About the Artwork: According to the Swiss psychiatrist, Carl Jung, kollektives Unbewusstes, or collective unconscious, refers to structures of the unconscious mind that are shared among beings of the same species. The human collective unconscious is populated by instincts and by universal symbols such as hell, water, the tree of life, or the concept of god. Jung states that the collective...

This painting is artwork of Patrick Faure, Creator of Faurism. The painting is unframed, oil on canvas. About the Artwork: Wings of Fascism is a perfect example of Faurism, a styl...

This 2019 painting is from Patrick Faure’s Agnoiaphobia series. The painting is unframed, oil on canvas. About the Artwork: “For ever and ever” is part of the doxology that falls...

Dos Cuba Libres Never been here before? The busy rhythm, around every corner another bay, and resting will not come soon but still an elegant chaos

I Burnt My hand On a Hot Cake Morning Light through the aging blinds of indecision, together, moving, catching up to the sounds of the opening day.