Items Similar to Section 1 : Story of a Global Nomad (Green Mountains)
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Jinny YuSection 1 : Story of a Global Nomad (Green Mountains)2007
2007
About the Item
Text by Michael Rattray
Nomadism is an abstract. It describes a freedom to potentially be anywhere at anytime, to take from whatever can be taken, and to leave whenever to be somewhere anew. Consistently, the nomad has occupied an anthropological distortion, where the term was perhaps applied too loosely and vaguely. The process of colonial appropriation distorted known territorialities to the principles of the nomadic; that of the landless, those whom move at whimsy, seemingly without place. While in the real, those who seemed to be without place were in fact patterned, their movements’ routine and contained within a perimeter defined through geographic constraint.
The new works of Jinny Yu echo notions of the nomadic, in both misconceptions and concrete understandings of the term. Deleuze and Guattari have commented that nomads can be localized within monads, acting as singular nomads “that entertain tactile relations among themselves. ” The nomadic monad, or module, offers a parallel to Yu’s earlier works and relates to the artist’s understanding of the artist as a migratory creature, one who has the ability to shift between contexts and identities within the “increasingly liquid field of trans-global relations. ”
Two visual systems preside over the majority of the new works. The systems are defined by an appropriated pattern occupying the underlay of the work, which appears to be static, while an appropriated overlay pattern juts out from the background, appearing to convolute, distort and haphazardly foray among the fluidity of the underlay. Each work, constructed with three sheets of aluminum occupying a space of six by six feet, built from a single set, or module, combine to make-up the finished piece. The works, while maintaining an appearance of fluid structure, upon closer inspection can be reduced to their singular parts, even down to an individual line of graphite. These monads that make up the greater whole, while at times appearing in a state that resembles something solid, can just as easily become anarchic, or nomadic in their associations to the greater field of view within the structure, as is evidenced by the repetitions contained within the work Multiple Trees.
An invocation of the problematic nature of assumption, or definition, within a master or universal narrative construct is evidenced through the works contained in Story of Global Nomad. Whether the appropriated sources are eastern in influence, western in construction, southern in flavor, or northerly contained they represent a systematic awareness of the patterns of our current predicament within a trans-global world. While we may be free to pursue nomadic states of wandering within a world of accessible consumption, the structures, the modules and the maps that we must navigate our freedom within nonetheless contain us. Nomadism may refer to an abstract, but it is an abstraction still dependent on a system to understand itself within, therefore no more outside, or inside, a place than another.
1. Deleuze, Gilles and Guattari, Felix. “The Smooth and the Striated.” A Thousand Plateaus: Capitalism and Schizophrenia. trans. Brian Massumi. Minneapolis: University of Minnesota Press, 1987 (80). pg.493.
2. Yu, Jinny. Mediation in Abstraction. Unpublished Paper. 2007. pg.5.
Jinny Yu
Jinny Yu’s work grows out of an inquiry into the medium of painting, as a means of trying to understand the world around us. Her project Don’t They Ever Stop Migrating? was exhibited at the 56th Venice Biennale. It subsequently toured at The Rooms and was acquired by the Agnes Etherington Art Centre. Her work has been shown widely in Canada, Germany, Japan, Italy, Portugal, South Korea, UK and USA in various venues: Phi Foundation for Contemporary Art (2020); Montreal Museum of Fine Arts (2019); Canada House (London, 2017); Kunstverein Rosa-Luxemburg-Platz (Berlin, 2016); Richmond Art Gallery (Vancouver, 2015); Produzentengalerie plan.d. (Düsseldorf, 2014), Ottawa Art Gallery (2014); Pulse New York and Miami Beach (2011, 2014), St. Mary’s University Art Gallery (Halifax, 2013); Kunst Doc Art Gallery (Seoul, 2012); ISCP Gallery (New York, 2011); McMaster Museum of Art (Hamilton, 2011); Confederation Centre Art Gallery (Charlottetown, 2011); Carleton University Art Gallery (Ottawa, 2009); Sotheby’s Conduit Street Gallery (London, 2007); Bevilacqua La Masa Foundation (Venice, 2006); and Kyoto Municipal Museum of Art (Kyoto, 2004). She was an artist in residence at La Napoule Art Foundation in France, BoxoPROJECTS in Joshua Tree, KIAC in Dawson City, ISCP in New York, Seoul Museum of Art Nanji Studios, and at the Banff Centre for the Arts. Yu, a Professor of Painting at the University of Ottawa, was awarded the Mid-Career Artist Award by Ottawa Arts Council in 2013; Laura Ciruls Painting Award from Ontario Arts Foundation in 2012; and was a finalist for the Pulse Prize New York Prize 2011 and 2014. Her forthcoming solo exhibition will take place at the Art Gallery of Ontario in Toronto in 2024.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1996
1stDibs seller since 2014
96 sales on 1stDibs
- ShippingRetrieving quote...Ships From: Montreal, Canada
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Section 1 : Story of a Global (De Vonk 1)By Jinny YuLocated in Montreal, QuebecText by Michael Rattray Nomadism is an abstract. It describes a freedom to potentially be anywhere at anytime, to take from whatever can be taken, and to leave whenever to be somewh...Category
Early 2000s Abstract Abstract Paintings
MaterialsMetal
- Section 1 : Story of a Global (Crazy Hokusai)By Jinny YuLocated in Montreal, QuebecText by Michael Rattray Nomadism is an abstract. It describes a freedom to potentially be anywhere at anytime, to take from whatever can be taken, and to leave whenever to be somewh...Category
Early 2000s Abstract Abstract Paintings
MaterialsMetal
- Section 2 : Story of a Global Nomad (Tsunami)By Jinny YuLocated in Montreal, QuebecText by Michael Rattray Nomadism is an abstract. It describes a freedom to potentially be anywhere at anytime, to take from whatever can be taken, and to leave whenever to be somewh...Category
2010s Contemporary Abstract Paintings
MaterialsMetal
- Variation 59By Claude TousignantLocated in Montreal, QuebecHe who wants to become a master of colour must see, feel and experience each individual colour in its many endless combinations with all other colours. Colour must have a mystical ca...Category
2010s Abstract Abstract Paintings
MaterialsArchival Paper, Graphite
- Story of a Global Nomad (Crazy Hokusai)By Jinny YuLocated in Montreal, QuebecText by Michael Rattray Nomadism is an abstract. It describes a freedom to potentially be anywhere at anytime, to take from whatever can be taken, and to leave whenever to be somewh...Category
Early 2000s Abstract Abstract Paintings
MaterialsMetal
- Story of a Global Nomad (The End)By Jinny YuLocated in Montreal, QuebecText by Michael Rattray Nomadism is an abstract. It describes a freedom to potentially be anywhere at anytime, to take from whatever can be taken, and to leave whenever to be somewh...Category
Early 2000s Abstract Abstract Paintings
MaterialsMetal
You May Also Like
- "Kimonoesque (Metal & Remnants)" Abstract Metallic PaintingBy Christine Averill-GreenLocated in Westport, CTThis abstract painting features cool grey background and layers of metallic gold throughout. The central abstract form is composed of imperfect shapes placed side by side. The painti...Category
2010s Abstract Abstract Paintings
MaterialsGold Leaf
- "Traces" , Minimalist painting on Canvas, Medium Size , Original artBy Marilina MarchicaLocated in Agrigento, AGtraces, minimalist painting on canvas medium size original art the painting is sold stretched out on a frame ready to hang A series of A...Category
2010s Abstract Abstract Paintings
MaterialsEnamel
- "Entropy 39" Abstract mixed media painting in red, white and light greenBy Jylian GustlinLocated in Edgartown, MAAbstract mixed media painting in red, white and light green. Jylian Gustlin is a native Californian and grew up in the San Francisco bay area. She has been shaped by the technology...Category
2010s Abstract Abstract Paintings
MaterialsOil, Acrylic, Graphite, Oil Pastel, Wax
- Mod Abstract Expressionist Modernist Oil Painting Dog Drawing Edward AvedisianBy Edward AvedisianLocated in Surfside, FLEdward Avedisian ( 1936-2007 ) 7.5 X 5.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert...Category
1960s Abstract Expressionist Animal Paintings
MaterialsOil, Wood Panel, Graphite
- Mixed Media Collage, Graphite, Oil Painting Abstract Expressionist Henry MandellLocated in Surfside, FLHenry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...Category
1980s Abstract Expressionist Mixed Media
MaterialsOil, Graphite
- Mixed Media Collage, Graphite, Oil Painting Abstract Expressionist Henry MandellLocated in Surfside, FLHenry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...Category
1980s Abstract Expressionist Mixed Media
MaterialsOil, Graphite
Recently Viewed
View AllMore Ways To Browse
Our Story
Art Section
Two Story
Story Set
Green Mountains
Michael Story
Green Mountain Art
Green Mountains Painting
Western Mountain Art
Mountains Used To Be Trees
Western Mountain Paintings
Mountain Field Painting
Solid Green Painting
Eastern Mountains
Set Of Six Painted Metal
Trans World
Michael Mapes
World Map Metal Art