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John Schuyler
"Cielo Blu 99" Aqua blue abstract mixed media diptych

2019

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    "I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...
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  • Trigger
    By Carol Bennett
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    "I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...
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  • "#10" Abstract ink and fibers on paper in black and white
    By Alyssa Warren
    Located in Edgartown, MA
    Abstract ink and fibers on paper in black and white. I grew up in the United States and completed a BA in literature in Santa Barbara, CA, an MA in literature in Sydney, Australia, ...
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    21st Century and Contemporary Abstract Abstract Paintings

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    Paper, Mixed Media

  • "Tanzania 5" abstract sedimentary landscape oil painting calm blues & bold reds
    By Chase Langford
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    Chase Langford has created a distinctive visual language that is grounded in the natural and built environment while embarking into uncharted territory. His impactful depictions reca...
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  • "Positano", a vivid horizontal view of mostly white sediment with blues underlay
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    Chase Langford has created a distinctive visual language that is grounded in the natural and built environment while embarking into uncharted territory. His impactful depictions reca...
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    2010s Abstract Abstract Paintings

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  • "Liquid Morphic" Abstract oil painting in blues, white and gold
    By Chase Langford
    Located in Edgartown, MA
    Abstract oil painting in blues, white and gold. At a very young age I started studying and drawing maps. The first maps I ever saw may have been the highway maps stashed in our Ford Country Squire station wagon’s glove box. By my teens I had a map and atlas collection totaling well over a thousand and spent my free time engorged in cartography. My fascination with maps led me to study cartography at UC Santa Barbara and followed with creating maps for faculty at UCLA. Imagine the effect of spending much of a lifetime intimately tracing coasts, rivers, highways and more. Inevitably the visual rhythms of geography largely created my visual sensibility, that is, my sense of what works or does not work visually. I would dare say it has even seeped into my DNA. The interplay of a lifetime of maps and my fine art painting became most apparent in the late 1980’s when I started to create map paintings. Their purpose was not to explain the geography of a place but rather to use the essence of geographic forms to re-express them in an entirely new way. Today my paintings still echo their geographic foundation. Whether it is translating the essence of the sand patterns made by the waves on Baker Beach...
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