Jon Probert

Pencil on Paper 'Untitled I' Painting by Jon Probert, 2023

2023

Acrylic on Panel 'Untitled (Forms)' Painting by David Pearce B. 1963, 2023 Additional information: Medium: Acrylic on panel Dimensions: 45 x 35 cm 17 3/4 x 13 3/4 in Signed with ini...

'So We Dont Forget' Painting by Rosa Roig-Fiol B. 1991, 2021 Additional information: Medium: Acrylic and plaster on canvas Dimensions: 51 x 40.5 cm 20 1/8 x 16 in Signed and dated ...

Abstract Book Cover with Ochre Painting by Daisy Cook B. 1965, 2023 Additional information: Medium: Oil and pencil on found book cover Dimensions: 24.5 x 18.5 cm 9 5/8 x 7 1/4 in D...

Oil and Sand on Canvas 'Traces (II)' Painting by Pamela Burns B. 1938, 1993 Additional information: Medium: Oil and sand on canvas Dimensions: 25.4 x 50.8 cm 10 x 20 in Signed, date...

Abstract House (Pink) Painting by Daisy Cook B. 1965, 2024 Additional information: Medium: Oil on panel Dimensions: 18 x 24 cm 7 1/8 x 9 1/2 in Daisy Cook is a British painter of l...

Black Bean Pot Painting by David Pearce B. 1963, 2023 Additional information: Medium: Acrylic on panel Dimensions: 40 x 50 cm 15 3/4 x 19 3/4 in Signed with initials and dated. Dav...

acrylic on paper Dion Johnson’s studio practice exists at the intersection of intention and reaction. His pared down visual vocabulary in combination with hard-edged abstraction res...

Still Waiting 3, 2021. Acrylic ink on 100% cotton paper. 295x210mm Nicky Marais is a Namibian artist, educator and activist who lives and works in Windhoek. Marais is well-known for...

Cross Purpose Temple Series 4, 2022. Acrylic and acrylic ink on paper, 27 x 35cm Nicky Marais is a Namibian artist, educator and activist who lives and works in Windhoek. Marais is ...

Opening Houses on Black 5, 2022. Coloured pencil on black paper, 20 x 20cm Nicky Marais (b. 1962) is a Namibian artist, educator and activist. Marais is well-known for her abstract artworks created using a personal vocabulary of abstract forms and colour relationships derived from everyday life as well as the socio-political history of Namibia and icons from around the continent. These forms are often layered using a mixture of stencils and traditional painting techniques. Marais describes her practice as a “constant hunt for significant shapes”, which are subjected to a process of near-obsessive repetition, appearing multiple times in different combinations. Much of her work explores the relationship between physical and spiritual worlds, which extends into an investigation of the relationship between the tangible and the intangible, the signifier and the signified. Speaking about Marais’ work, Rosa Namises said “Sometimes we are trapped between the gates and the snakes. We have to choose to go through the path of knowledge, to learn what the snakes have to teach us, and not allow ourselves to be trapped by the gates” (2017). Marais is recently retired from an eleven year posting as the Head of Department of Visual Arts at the College of the Arts in Windhoek. As an artist, she has exhibited extensively in Namibia and abroad. In 2017, The National Art Gallery of Namibia hosted a solo exhibition by Marais, titled ‘Presence in Absence’. Her next solo ‘Connections‘ was held at Guns & Rain Gallery in Johannesburg in 2020. Most recently in 2022, the artist participated in the Baker’s Bay...

Opening Houses on Black 2, 2022. Coloured pencil on black paper, 20 x 20cm Nicky Marais (b. 1962) is a Namibian artist, educator and activist. Marais is well-known for her abstract artworks created using a personal vocabulary of abstract forms and colour relationships derived from everyday life as well as the socio-political history of Namibia and icons from around the continent. These forms are often layered using a mixture of stencils and traditional painting techniques. Marais describes her practice as a “constant hunt for significant shapes”, which are subjected to a process of near-obsessive repetition, appearing multiple times in different combinations. Much of her work explores the relationship between physical and spiritual worlds, which extends into an investigation of the relationship between the tangible and the intangible, the signifier and the signified. Speaking about Marais’ work, Rosa Namises said “Sometimes we are trapped between the gates and the snakes. We have to choose to go through the path of knowledge, to learn what the snakes have to teach us, and not allow ourselves to be trapped by the gates” (2017). Marais is recently retired from an eleven year posting as the Head of Department of Visual Arts at the College of the Arts in Windhoek. As an artist, she has exhibited extensively in Namibia and abroad. In 2017, The National Art Gallery of Namibia hosted a solo exhibition by Marais, titled ‘Presence in Absence’. Her next solo ‘Connections‘ was held at Guns & Rain Gallery in Johannesburg in 2020. Most recently in 2022, the artist participated in the Baker’s Bay...

Iñaki Moreno (1968 Inca, Mallorca) grew up in Bilbao and currently lives in Barcelona, ​​where he works every day in an old 19th century convent converted into a workshop. From its w...