Jonas Fisch

Daybird

2016

Arizona artist Gail Titus paints vibrant, abstract compositions in acrylic on canvas with a focus on textures, colors and abstract color(-field) compositions. The visual element of h...

Jodi Fuchs' abstract geometric artworks exude a sense of order and balance with their precise lines, shapes, and layered fields of color. Influenced by her years of contemplation of ...

Jodi Fuchs' abstract geometric artworks exude a sense of order and balance with their precise lines, shapes, and layered fields of color. Influenced by her ...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

Vintage comic books and mixed media on panel Paul Ecke is a mid-career painter of contemporary non-figurative and figurative works on canvas and panel. His works are an amalgam of c...

Traces mixed media on canvas 100x120 cm 2017 original art ready to hang Marilina Marchica (Agrigento, 1984) Marilina Marchica, born in Agrigento, where she works and lives, she gr...

Inspiration for my work comes from internalised imagery absorbed throughout her childhood in Northumberland and the North East of England. Images of declining industry, the closing of coal mines, abandoned shipyards and other associated heavy industries loomed large across the landscape.The atmosphere of loss, sadness was as palpable as the smell of smoke, tar and coke from the power stations. Philippas work consists of remembered imagery of past landscapes combined with the pastoral landscape in which she lives. The muted palette references the industrial while suggested imagery reflects the rural. Work produced references both worlds combining two genres, marrying post contemporary modernism with elements of classical romanticism. Two genres, two generations of artistic movements intersect with each other, creating a place where contradictions co exist. Disjunctive kinds of everything, hidden in plain sight, create a realm in which one can lose oneself. Implied abstract imagery reveals conflict between beauty and desolation ,whilst Romanticism and Modernism combine with clashing qualities of drawing and painting. Images develop through a series of intuitive acts. Repeated applications of thin films of ink and paint build depth and patina. Layers are often removed by washing and scrubbing, revealing a palimpsest of faded marks and former painterly decisions, exposing the underbelly, vulnerable and tender. Additional information: Untitled 0042 by Philippa Anderson [2023] Original painting Acrylic paint, Canvas, Charcoal, Colour Pencil, Pencil on Canvas SOLD UNFRAMED Signed by artist Image size: Height: 100cm (39.37 in) Width: 120cm (47.24 in) Complete size of unframed painting Height: 100cm (39.37 in) Width: 120cm (47.24 in) Depth: 4cm (1.57 in) Please note that insitu images are purely an indication of how a piece may look ARTIST PROFILE: Philippa was born and grew up in Northumberland before moving to Herefordshire where she currently lives and works. She studied a BA Hons in Fine Art at Cheltenham College of Art and has recently completed an MA at Hereford College of Art. She also holds two teaching qualifications , a PGCE for adult education and a GTP for Secondary school education. Inspiration for my work comes from internalised imagery absorbed throughout her childhood in Northumberland and the North East of England.Images of declining industry, the closing of coal mines, abandoned shipyards and other associated heavy industries loomed large across the landscape.The atmosphere of loss, sadness was as palpable as the smell of smoke, tar and coke from the power stations. Philippa's work consists of remembered imagery of past landscapes combined with the pastoral landscape in which she lives. The muted palette references the industrial while suggested imagery reflects the rural. Work produced references both worlds combining two genres, marrying post contemporary modernism with elements of classical romanticism. Connections. Through Philippas current and ongoing line of enquiry several connections are being explored which are both real and notional. The fusing of genres, the industrial and the pastoral which combine elements of classical romanticism and post contemporary modernism, these relate to her past and her present surroundings. Rarely associated elements of drawing and painting are combined on canvas adding to the narrative of her personal story. Work produced displays...

Inspiration for my work comes from internalised imagery absorbed throughout her childhood in Northumberland and the North East of England. Images of declining industry, the closing o...

Inspiration for my work comes from internalised imagery absorbed throughout her childhood in Northumberland and the North East of England. Images of declining industry, the closing o...

Traces mixed media on canvas 100x120 cm 2017 original art ready to hang