Katherine Borkowski-Byrne

"Unearthing", abstract, texture, multi-colored, reds, greens, grey, oil painting

2021

Katherine Borkowski-Byrne’s “Nowhere” is a colorful abstract oil painting, 20.5 x 16 inches, on paper with very thick texture and spontaneous brushwork in saturated reds, turquoises,...

Katherine Borkowski-Byrne’s “Little Blue” is a colorful abstract oil painting, 22.5 x 18 inches, on paper with very thick texture and spontaneous brushwork in saturated reds, greens,...

Katherine Borkowski-Byrne’s “Twitter” is a colorful abstract oil painting, 20.5 x 16 inches, on paper with very thick texture and spontaneous brushwork in saturated reds, pinks, viol...

Katherine Borkowski-Byrne’s “Fishing” is a colorful abstract oil painting, 20.5 x 16 inches, on paper with very thick texture and spontaneous brushwork in saturated reds, turquoises,...

Katherine Borkowski-Byrne’s “Doodle All Day” is a colorful abstract oil painting, 20.5 x 17 inches, on paper with very thick texture and spontaneous brushwork in saturated reds, gree...

Katherine Borkowski-Byrne’s “My Little Hearth” is a colorful abstract oil painting, 22.5 x 16.5 inch, on paper with very thick texture and spontaneous brushwork in saturated reds, or...

This abstract painting of blues and reds on paper has an oceanic feel. An image of a fish is revealed on the left side of the painting. The circles convey the cycle of the seasons....

This small work on paper, of blue and yellow, is an abstracted vision of a summer evening along the ocean. The edge of the painting on paper is angled on one side and the image floats on the surface. The texture of the frame matches...

In "We're Gonna Have a Real Good Time Together" Daniele Galliano finds a new pictorial dimension by staging the decadence of the power classes. Politics, finance, religion, the press...

About the artist... I was four. We walked off a hot San Jose city street, down the side of a muddy embankment, to sit with our feet in the cold, chattering water of Steven’s Creek. A...

Firmamento (Boots and Sticks), 2021 Acrylics and oil pencil on paper 10 5/8 x 10 5/8 in 27 x 27 cm

Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...