Ken Weathersby

Ken Weathersby, 236, 2015, Acrylic Paint, Panel

2015

Inviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound. This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting. Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...

Inviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound. This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting. Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...

ColorSoundGrammar Ellen Hackl Fagan There is a long history of sound/color synaesthesia work, from Isaac Newton’s color organ to Alexander Scriabin’s “Prometheus,” but not much wor...

Lourdes Rivera was born in New York City in 1989, where she currently lives and works. She is a first generation Dominican-American. Lourdes considers herself bi-cultural, but unco...

Lourdes Rivera was born in New York City in 1989, where she currently lives and works. She is a first generation Dominican-American. Lourdes considers herself bi-cultural, but unco...

Lourdes Rivera was born in New York City in 1989, where she currently lives and works. She is a first generation Dominican-American. Lourdes considers herself bi-cultural, but unco...

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

Michael Craig-Martin Age, 2010 Acrylic on aluminum 48 x 48 inches Signed

2024 Acrylic on canvas 24 x 24 in. (61 x 61 cm) Signed, titled, and dated, verso The painting “YO” features a vibrant yellow background, radiating warmth and energy. Dominating the ...

2024 Acrylic on canvas 48 x 48 in. (121.9 x 121.9 cm) Signed, titled, and dated, verso Titled ‘3 2 1,’ this painting captures the universal sentiment of anticipation and the inexora...

2024 Acrylic on canvas 24 x 24 in. (61 x 61 cm) Signed, titled, and dated, verso “Wonky”, immediately captivates the viewer’s attention with its boldness. In stark contrast to the b...

2024 Acrylic on canvas 36 x 36 in. (91.4 x 91.4 cm) Signed, titled, and dated, verso “Dead On” depicts a striking bullseye, dominating the canvas with its bold presence. At the prec...