Laura Moriarty

Resting, Neon Orange, Periwinkle, Navy Blue, Green, Brown, Bright Neon

2016

In this large abstract encaustic (pigmented beeswax) monotype, bands of vibrant colors in bright teal blue, umber brown, orange, yellow, ochre and violet purple are vibrant and satur...

In this large abstract encaustic (pigmented beeswax) monotype, bands of vibrant colors in bright cobalt blue, light jade green, umber brown, mustard, yellow ochre and bluish gray are...

A square, vibrant iridescent pink and bright red encaustic (pigmented beeswax) painting accented with coral, peach and orange details on birch panel. Signed, dated and titled on vers...

A deep, bright cobalt blue encaustic (pigmented beeswax) painting with light purple and vibrant teal accents on birch panel. Signed, dated and titled on verso. Joanne Mattera’s paintings can be described as lush minimalism, the work is chromatically rich and compositionally reductive. Each painting in the ongoing Silk Road series is a small color field achieved by layers of translucent wax paint applied at right angles. The series, began in 2005, was inspired by the iridescent hues of slubbed silk, hence the title, but very quickly evolved into a more expansive exploration of color. In plying the richness of the encaustic paint against the austerity of a very subtle grid the artist sets in motion a dynamic in which color and texture jostle for primacy. A decade and almost 300 paintings later, the artist is still enthralled with this exploration. Mattera is the foremost expert in the field of encaustic painting and is the founder and former director of the International Encaustic Conference. Her artwork is in the collections of The New Britain Museum of Contemporary Art, US Embassies (Slovenia and Poland), US State Department, Bank of America, and Norwegian Cruise Lines, to name a few as well as numerous private collections. Mattera writes a contemporary art blog, she is a frequent guest speaker and curator and is a member of American Abstract Artists (NYC). The artist lives and works in MA and in NYC. Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The word comes originally from the Greek word “enkaustikis” meaning to “burn in” and the process dates back to the 5th century. The liquid or paste is applied to a surface —usually prepared wood. Metal tools...

A luminous pale blue encaustic (pigmented beeswax) painting on birch panel accented with bright coral along the edge of the panel. Signed, dated and titled on verso. Joanne Mattera’...

A vibrant orange, yellow and light green encaustic (pigmented beeswax) painting on birch panel accented with lime green edges. Signed, dated and titled on verso. Joanne Mattera’s pa...

In Amid The Blue Waves color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype il...

"She is the dark night and the black soil that holds within itself the intense power of light, the secrets and the forces of all life. She is the mouth, the vagina, the passionate an...

I will meet you there, back in the eternal cosmic waters. Angelica’s multi-layered works are informed by her ongoing efforts to create a less reactive and more responsive presence i...

In And His Open Arms Embraced color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic mono...

In Memory Of What Has Been color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotyp...

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...