Laura Newman

Glass Wall (Abstract Expressionism painting)

2009

Glass Wall (Abstract Expressionism painting) Oil on canvas - Unframed Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines and or...

Oil on canvas - Unframed Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines and organic forms, resulting in atmospheric images e...

Acrylic on linen - Unframed This acrylic painting on linen is one of a series of 10 that the artist developed from a painting that incorporated a photograph she took of a flatbed tr...

sbc 195 (Abstract painting) Acrylic on Linen - Unframed Like sbc 194, this acrylic painting on medium-weave linen deviates from Cantrick’s habitual formats. Indeed, the seascape f...

sbc 139 (Abstract painting) Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the pr...

Acrylic on linen - Unframed This acrylic painting on linen is one of a series of 10 that the artist developed from a painting that incorporated a photograph she took of a flatbed tr...

Beautiful Hard Edge abstract painting by American artist, Anthony Krauss. Oil on canvas, ca. 1980, measures 32 x 38 inches. Signed on verso. Excellent condi...

Strong vertical and horizontal elements woven into a repeating pattern, Naohiko Inukai's painting Four & Six, No. 1 offers a calming rhythmic symmetry. ...

"The Conversation" is an oil painting on canvas measuring 54" tall by 54" wide, and a key artwork among Peter Schenck's many remarkable paintings address...

Oli T. Sihvonen (1921 - 1991) The Secrets in the Circle, 1962 Oil on canvas 25 x 34 in Signed lower right; signed, titled dated, and inscribed "Box 563 Taos, N.M." on the reverse Provenance: Private Collection, Nyack, New York Known for large, hard-edged abstractions, Oli T. Sihvonen, a Brooklyn native of Finnish ancestry, grew up in Connecticut. He attended the Norwich Art School before enrolling at the Art Students League in New York between 1938 and 1941. During World War II, Sihvonen served in the United States Army as a sergeant, specializing, as he later said, in “camouflage and deception.” His tour of duty took him to Europe where he encountered the work of Paul Cézanne. In the summer of 1946, Sihvonen traveled to western North Carolina to study at Black Mountain College, which experienced a boost in enrollment following the war years. He was greatly influenced by the progressive color theories of Josef Albers, and, later, the thinking of Buckminster Fuller. After leaving Black Mountain in 1948, Sihvonen continued his studies under the G.I. Bill at Louis Ribak’s Taos Valley Art School in New Mexico from 1949 to 1950. A year spent painting murals in Mexico included work for the Instituto Politécnico Nacional in Mexico City, an early example of his large-scale proficiency. Returning to the East Coast, Sihvonen held a succession of teaching posts: initially in Washington, DC, and then in New York City, first at Hunter College in 1954 and the following academic year at Cooper Union. Drawn to the southwestern landscape, Sihvonen moved to New Mexico, where he resided in Taos from 1956 through 1967. There, he painted sizeable geometric compositions with exuberant colors, which was atypical of Taos painters...

Jay Rosenblum (1933 - 1989) Untitled, 1973 Acrylic on canvas 54 x 128 inches Signed twice and dated on the reverse Provenance: Private Collection, Long Island Jay Rosenblum experim...

acrylic on canvas Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. Gradient color fields are...